England -- Fiction; Humorous stories; Male friendship -- Fiction; Men -- Societies and clubs -- Fiction
‘Everybody who is at all acquainted with theatrical matters knows what a
host of shabby, poverty-stricken men hang about the stage of a large
establishment--not regularly engaged actors, but ballet people,
procession men, tumblers, and so forth, who are taken on during the run
of a pantomime, or an Easter piece, and are then discharged, until the
production of some heavy spectacle occasions a new demand for their
services. To this mode of life the man was compelled to resort; and
taking the chair every night, at some low theatrical house, at once put
him in possession of a few more shillings weekly, and enabled him to
gratify his old propensity. Even this resource shortly failed him; his
irregularities were too great to admit of his earning the wretched
pittance he might thus have procured, and he was actually reduced to a
state bordering on starvation, only procuring a trifle occasionally by
borrowing it of some old companion, or by obtaining an appearance at one
or other of the commonest of the minor theatres; and when he did earn
anything it was spent in the old way.
‘About this time, and when he had been existing for upwards of a year no
one knew how, I had a short engagement at one of the theatres on the
Surrey side of the water, and here I saw this man, whom I had lost sight
of for some time; for I had been travelling in the provinces, and he had
been skulking in the lanes and alleys of London. I was dressed to leave
the house, and was crossing the stage on my way out, when he tapped me
on the shoulder. Never shall I forget the repulsive sight that met my
eye when I turned round. He was dressed for the pantomimes in all the
absurdity of a clown’s costume. The spectral figures in the Dance of
Death, the most frightful shapes that the ablest painter ever portrayed
on canvas, never presented an appearance half so ghastly. His bloated
body and shrunken legs--their deformity enhanced a hundredfold by the
fantastic dress--the glassy eyes, contrasting fearfully with the thick
white paint with which the face was besmeared; the grotesquely-
ornamented head, trembling with paralysis, and the long skinny hands,
rubbed with white chalk--all gave him a hideous and unnatural
appearance, of which no description could convey an adequate idea, and
which, to this day, I shudder to think of. His voice was hollow and
tremulous as he took me aside, and in broken words recounted a long
catalogue of sickness and privations, terminating as usual with an
urgent request for the loan of a trifling sum of money. I put a few
shillings in his hand, and as I turned away I heard the roar of laughter
which followed his first tumble on the stage.
Public-domain text, read in full here on John Shaqi.
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