The Pictorial Press: Its Origin and ProgressJackson, Mason
History
The Pictorial Press: Its Origin and Progress
Jackson, Mason
Illustration of books; Newspapers -- Illustrations
The material used for wood-engraving is box-wood, which is preferred to
all other kinds of wood on account of its close grain, hardness, and
light colour. It admits of finer and sharper lines being cut upon it
than any other wood, and great quantities are consumed in producing the
engravings of an illustrated newspaper. According to Mr. J. R. Jackson,
Curator of the Kew Museum, the box-tree is at the present time widely
distributed through Europe and Asia, being found abundantly in Italy,
Spain, Southern France, and on the coast of the Black Sea, as well as
China, Japan, Northern India, and Persia. The box of English growth is
so small as to be almost useless for commercial purposes. What is called
Turkey box-wood is the best, and this is all obtained from the forests
that grow on the Caucasus, and is chiefly shipped at Poti and Rostoff.
The forests extend from thirty to a hundred and eighty miles inland, but
many of them are in the hands of the Russian Government and are closed
to commerce. Within the last few years a supply of box-wood has been
obtained from the forests in the neighbourhood of the Caspian Sea; but
Turkey box is becoming dearer every year and inferior in quality. After
the wood is cut in the forest, it is brought down on horseback to the
nearest river, put on board flat-bottom boats, and floated down to the
port of shipment. It arrives in this country either at Liverpool or
London, chiefly the former, and is usually in logs about four feet long
and eight or ten inches across.
[Illustration: BACK OF A BLOCK, SHOWING THE WAY IN WHICH THE PARTS ARE
FASTENED TOGETHER.]
The wood intended for engraving purposes is first carefully selected and
then cut up into transverse slices about an inch thick. After being cut,
the pieces are placed in racks something like plate-racks, and
thoroughly seasoned by slow degrees in gradually heated rooms. This
seasoning process ought to last, on an average, four or five years; but
the exigencies of trade seldom allow of so long a time. They are then
cut into parallelograms of various sizes, the outer portion of the
circular section near the bark being cut away, and all defective wood
rejected. These parallelograms are then assorted as to size, and fitted
together at the back by brass bolts and nuts. By this means blocks of
any size can be made, and they possess the great advantage of being
capable of being taken to pieces after a drawing is made, and
distributed among as many engravers as there are pieces in the block.
This invention of making bolted blocks was brought forward just about
the time the _Illustrated London News_ was started, when large blocks
and quick engraving came to be in demand. In the days of the _Penny
Magazine_, blocks were made by simply glueing the pieces of wood
together, or they were fastened by means of a long bolt passing through
the entire block.
Public-domain text, read in full here on John Shaqi.
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