The Pictorial Press: Its Origin and ProgressJackson, Mason
History
The Pictorial Press: Its Origin and Progress
Jackson, Mason
Illustration of books; Newspapers -- Illustrations
The cut given on the opposite page represents the back of a half-page
block of the _Illustrated London News_, and shows the way in which the
bolts and nuts are used for fastening the different parts of the block
together.
For the production of a pictorial newspaper a large staff of draughtsmen
and engravers is required, who must be ready at a moment's notice to
take up any subject, and, if necessary, work day and night until it is
done. The artist who supplies the sketch has acquired by long practice a
rapid method of working, and can, by a few strokes of his pencil,
indicate a passing scene by a kind of pictorial shorthand, which is
afterwards translated and extended in the finished drawing. The sketch
being completed on paper, the services of the draughtsman on wood come
into requisition, for it is not often that the drawing on the block is
made by the same person who supplies the sketch. Sometimes the sketch to
be dealt with is the production of an amateur, or is so hastily or
indifferently done that it has to be remodelled or rearranged in drawing
it on the wood. Faulty or objectionable portions have to be left out or
subdued, and perhaps a point in the sketch that is quite subordinate, is
brought forward and made to form a prominent part of the picture. All
this has to be done without doing violence to the general truth of the
representation, and with due consideration for the particular conditions
of the moment, such as the amount of finish and distribution of light
and shade suitable for rapid engraving and printing.
[Illustration: FACSIMILE OF SKETCH: SURRENDER OF SEDAN.]
[Illustration: THE SURRENDER OF SEDAN. FROM THE 'ILLUSTRATED LONDON
NEWS,' SEPT. 17, 1870.]
An example of the adaptation of a rapid sketch occurs in the engraving
of the surrender of Sedan, published in the _Illustrated London News_,
September 17, 1870. This sketch, which carries with it the strongest
evidence of being taken 'under fire,' came to hand a few hours before
the engravings for the current week were to be ready for the printer.
The cream or heart of the sketch, representing an officer waving a white
flag over the gate of Sedan attended by a trumpeter, was taken for the
subject, while the comparatively unimportant part of the sketch was left
out. The drawing was rapidly executed and as rapidly engraved, and was
ready for press at the usual time. I give a reduced copy of the
engraving, together with a facsimile reduction of the original sketch,
which will show the reader the way in which hurried sketches are
sometimes adapted to the purposes of a newspaper without at all
impairing their original truth.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account