The Pictorial Press: Its Origin and ProgressJackson, Mason
History
The Pictorial Press: Its Origin and Progress
Jackson, Mason
Illustration of books; Newspapers -- Illustrations
Though this system of subdividing the engraving effects a great saving
of time, it must be admitted that it does not always result in the
production of a first-rate work of art as a whole. For, supposing the
subject to be a landscape with a good stretch of trees, the two or three
engravers who have the trees to engrave have, perhaps, each a different
method of rendering foliage; and when the whole is completed, and the
different pieces are put together, the trees perhaps appear like a piece
of patchwork, with a distinct edge to each man's work. To harmonise and
dovetail (so to speak) these different pieces of work is the task of the
superintending artist, who retouches the first proof of the engraving
and endeavours to blend together the differences of colour and
texture. This is often no easy task, for the press is generally waiting,
and the time that is left for such work is often reduced to minutes
where hours would scarcely suffice to accomplish all that might be done.
Or the block to be engraved may be a marine subject, with a stormy sea.
In this case, like the landscape, two or three engravers may be employed
upon the water, each of them having a different way of representing that
element. Here it is even more difficult than in the landscape to blend
the conflicting pieces of work, and requires an amount of 'knocking
about' that sometimes astonishes the original artist. All this is the
necessary result of the hurry in which the greater part of newspaper
engravings have to be produced. When the conditions are more favourable
better things are successfully attempted, and of this the illustrated
newspapers of the day have given abundant proofs.
It is obvious that when a block is divided and the parts are distributed
in various hands, if any accident should occur to one part the whole
block is jeopardised. It is much to the credit of the fraternity of
engravers that this rarely or ever happens. I only remember one instance
of a failure of this kind within my own experience. An engraver of
decidedly Bohemian character, after a hard night's work on the tenth
part of a page block, thought fit to recruit himself with a cheering
cup. In the exhilaration that followed he lost the piece of work upon
which he had been engaged, and thereby rendered useless the efforts of
himself and his nine compatriots.
Public-domain text, read in full here on John Shaqi.
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