[Illustration: MIRACULOUS NEWS FROM MUNSTER IN GERMANY, 1616.] 3. 'After this fiery apparition and threatening speech ended, there appeared likewise rising out of the grave a third dead man, grinding and gnashing his teeth together, striking his handes the one against the other, and crying with a most fearful and hideous voyce, insomuch that it seemed to all the multitude there present, that the earth would certainly have rent in sunder; and spake that all the people plainly heard and understood his wordes, which were these; Woe, woe, woe, to the wicked; this is the time that wee have long attended and looked for; wherefore (ye people) looke to it, and beware lest the great day of the Lord come upon you suddainly, and fall upon you unprovided; for the time of his comming is neerer than you thinke. 'After the uttering of these wordes, the three dead Bodyes vanished and the Graves were shut againe, the heavens became cleere, the Tempest ceased, and all the people being released of their present horror and feare, rejoyced, and assembling themselves together, gave glory and laude, and praise unto the Lord for his Fatherly mercy and unspeakable goodnesse, in the mitigation of his furie, and withdrawing his heavy hand for the present. And thereupon appointed a sett day of supplications, prayers, and fasting, with true and unfained Repentance to be proclaimed, and observed.' This account is supplemented by an 'apology,' setting forth that men must not be incredulous because they hear of miraculous occurrences--that God is able to bring back the age of miracles, &c. The writer evidently thought his readers might require to be strengthened by argument before they could place implicit faith in his narrative, and so he takes some pains in his 'apology' to convince them that however unnatural and uncommon may be the appearances he relates, the wickedness of the world was a sufficient justification for this and other extraordinary events. A copy of the woodcut that illustrates this curious production is shown on the preceding page. [Illustration: 'GOOD NEWES TO CHRISTENDOME,' 1620.]