The Pictorial Press: Its Origin and Progress — John Shaqi
The Pictorial Press: Its Origin and ProgressJackson, Mason
History
The Pictorial Press: Its Origin and Progress
Jackson, Mason
Illustration of books; Newspapers -- Illustrations
that were approved good marksmen, to charge and shoot her straight,
which they prepared to doe; so setting her boult upright against a mud
bank or wall; two of the souldiers according to their command made
themselves ready, where having taken aime gave fire and shot at her,
but with a deriding and loud laughter at them she caught their bullets
in her hands and chew'd them, which was a stronger testimony than the
water, that she was the same that their imaginations thought her for to
be, so resolving with themselves if either fire or sword or halter were
sufficient for to make an end of her, one set his Carbine close unto her
brest; where discharging, the bullet back rebounded like a ball, and
narrowly he mist it in his face that was the shooter; this so enraged
the Gentleman, that one drew out his sword and manfully run at her with
all the force his strength had power to make, but it prevailed no more
than did the shot, the woman still though speechless, yet in a most
contemptible way of scorn, still laughing at them, which did the more
exhaust their furie against her life, yet one amongst the rest had heard
that piercing or drawing bloud from forth the veins that crosse the
temples of the head, it would prevail against the strongest sorcery, and
quell the force of Witchcraft, which was allowed for triall; the woman
hearing this knew then the Devill had left her and her power was gone,
wherefore she began alowd to cry, and roare, tearing her haire, and
making pitious moan, which in these words expressed were: And is it
come to passe that I must die indeed? Why then his Excellency the Earle
of Essex shall be fortunate and win the field, after which no more words
could be got from her; wherewith they immediately discharged a Pistoll
underneath her ear, at which she straight sunk down and died, leaving
her legacy of a detested carcasse to the wormes, her soul we ought not
to judge of, though the evils of her wicked life and death can scape no
censure.'
[Illustration: THE NEWBURY WITCH, 1643.]
On the outbreak of the great Civil War an immense number of tracts and
pamphlets were published relating to social and political questions,
many of which were illustrated. Satire was a weapon freely used, and
many hard hits were made, the point and bitterness of which cannot now
be understood. Caricatures, which are generally supposed to have made
their appearance in England at a much later date, are of frequent
occurrence. The wonderful and supernatural were freely dealt in, and
many tracts were published which were not strictly news, yet had some
reference to public men and passing events. The woodcuts in the tracts
and pamphlets of this period were frequently repeated, being sometimes
used where they had no relation to the subject treated.
[Illustration: RELIGION TOSSED IN A BLANKET, 1641.]
Public-domain text, read in full here on John Shaqi.
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