The Pictorial Press: Its Origin and Progress — John Shaqi
The Pictorial Press: Its Origin and ProgressJackson, Mason
History
The Pictorial Press: Its Origin and Progress
Jackson, Mason
Illustration of books; Newspapers -- Illustrations
The English newspaper, like many other great inventions, was a thing of
gradual growth. The news that was sung or recited by wandering
ballad-singers at the village cross, or in the court-yard of the
squire's mansion, and the written newsletter furnished to the wealthy
aristocracy, were the precursors of the early news-books and the
periodical sheets of news. As the art of printing extended, many of the
productions of the press assumed the character of news to attract
readers. Sermons, satires, and travels, were all put forward under the
name of _news_, and sometimes a single grain of truth was deemed
sufficient to leaven a whole bushel of fiction. Most of these
publications were small tracts, and published at irregular intervals.
Some of them were adorned with engravings on the title-pages, which show
that even at this early period the authors or printers of these papers
were imbued with the pictorial spirit. The idea of illustrating current
events had already taken root, and we find examples of it long before
the establishment of regular newspapers.
The earliest form of the newspaper is known to have come into existence
during times of war and tumult, and it was for a long time believed that
the first English newspaper was brought forth under similar
circumstances. But when the _English Mercurie_ of 1588 was proved to be
a forgery, the enthusiast in newspaper history received a heavy blow and
sad discouragement. It seemed so highly probable, when this country was
threatened with the descent of the Spanish Armada, that something like a
newspaper might have sprung into existence, that people were only too
ready to adopt the imposture. When the whole nation was greatly excited
and anxious to learn something about the reality of their danger,
nothing was more natural than for the sagacious minister of Queen
Elizabeth to appeal to the people through the printing-press, and by its
means endeavour to calm the public mind by circulating printed sheets of
intelligence, 'for the contradiction of false reports.' But we were
compelled to admit that Lord Burleigh had missed his opportunity, and
neglected to use the most powerful means for exciting the patriotism or
allaying the fears of his countrymen. The author of this remarkable
imposition showed great skill and acuteness in constructing his false
newspaper, and fixing the date of its supposed publication. The forgery
has been attributed to Lord Hardwick; but what were his motives it is
difficult to understand. Unlike Chatterton and Ireland, he never
brought his imposture before the world, and if he intended it merely for
an antiquarian _jeu-d'esprit_ he had the enjoyment of the joke entirely
to himself.
Public-domain text, read in full here on John Shaqi.
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