and though his style of practising his art was as little to his taste
as that of his dress, he would still have been glad to embrace him as
his son-in-law, because he was convinced that the young man would
cherish the highest reverence for his intended bequest. Old Eulenböck
could not enter into his thoughts with a view to his plans; but since
the day before he had viewed the stranger connoisseur with an eye of
paternal affection, and hence the petulant answer in which his daughter
had expressed herself about him gave him so much dissatisfaction. He
would not own it to himself, but his thoughts, when he looked into
futurity, were bent much more towards the preservation of his gallery
than the happiness of his child. Even young Von Eisenschlicht, the son
of an usurer, would have been acceptable to him as a son-in-law, for
the young man's taste had been tolerably cultivated in his travels; and
as he possessed at the same time his father's propensities, there was
good ground to expect that he would, from every consideration, treat so
valuable a collection with respect.
Thus passed the forenoon, and the guests dropped in one after the
other. First of all the youngest, Dietrich, in what is called the old
German costume, his flaxen hair flowing down his shoulders, and with a
short light beard which did not disfigure his ruddy transparent face.
He immediately made anxious inquiry after the daughter, and she
appeared, in a dress of green silk, which gave a surprising relief to
the brilliance of the face and neck. The young man, with a manner at
once embarrassed and pressing, immediately began a conversation with
Sophia, which grew the more dry, the more transcendent he endeavoured
to make it. They were interrupted, to the comfort of both, by the
appearance of old Eulenböck, whose brown-red visage peered oddly out of
a pea-green waistcoat and whitish frock, he being, as is often the case
with decidedly ugly men, fond of dressing in glaring colours. The young
folks could hardly stifle a laugh at seeing him wheel awkwardly in, pay
his respects with a grimace, and stumble in an unsuccessful attempt at
politeness, while his gestures rendered his wry face, little sharp
eyes, and twisted nose, the more conspicuous in their oddity. The
stranger made the company wait for him a long while, and Sophia again
rallied his presumption in playing the man of consequence, till at last
he appeared, plainly dressed, and enabled the party to proceed to the
dining-room, where they found Erich, who had been hanging a picture
there which the stranger and the painters were to inspect. Sophia sat
between Erich and the stranger, though Dietrich had made an unavailing
attempt to wedge himself in by her side. Eulenböck, who observed every
thing, and was never so well pleased as when he could wrap his malice
in the disguise of good-nature, squeezed the young man's hand, and
thanked him with seeming emotion for having cruised about so long
Public-domain text, read in full here on John Shaqi.
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