He looked at the stranger with a complacent smile; but the latter, who
till now had graciously met his advances, put on something like a
scowl, and said after a short pause: "The collections of private
persons can never subsist long; a lover of the arts, if he has made a
collection, should sell his treasures at a fair price to some prince,
or embody them by his will in some great gallery. For this reason I
cannot approve of your plan with regard to your daughter, though I
agree with you in your views of matrimony. And in any case marriage is
an affair full of risk. If I were not engaged, and compelled by a
thousand urgent motives not to break my word, my inclination would lead
me never to marry."
The old gentleman coloured and hung his head, and soon after began a
conversation with his neighbour on another topic. "The late auction of
engravings," said the picture-dealer, "has not turned out so productive
by a great deal as the owner anticipated." "That is frequently the case
with auctions," said the daughter, briskly throwing in her word; "no
man therefore ought to meddle with them who is not driven to it by
extreme necessity."
Dietrich was yet too inexperienced to perceive the connexion of this
dialogue; he declaimed sincerely and warmly on the barbarism of
auctions, in which the most precious rarities are often overlooked,
many works damaged by the gapers and understrappers, and the reputation
of great masters, as well as the feelings of their genuine admirers,
receive painful shocks. By this he won the good opinion of the father,
who brightened up and gave him a gracious assent. Sophia, afraid
perhaps that a new proposal was to be brought forward under cover of
enthusiasm for the arts, hastily asked the young painter whether he
should soon have finished his picture of the Virgin, or whether he
meant first to complete his Descent from the Cross.
Public-domain text, read in full here on John Shaqi.
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