The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville. — John Shaqi
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
Chuck Greif and the Online Distributed Proofreading Team
at http://www.pgdp.net
[Illustration: CHAPEL OF SAN ISIDRO,
IN THE CHURCH OF SAN ANDRES, MADRID.]
THE
PICTURESQUE ANTIQUITIES
OF
SPAIN;
DESCRIBED IN A SERIES OF LETTERS,
WITH ILLUSTRATIONS,
REPRESENTING MOORISH PALACES, CATHEDRALS, AND OTHER MONUMENTS OF ART,
CONTAINED IN THE CITIES OF
BURGOS, VALLADOLID, TOLEDO, AND SEVILLE.
BY
NATHANIEL ARMSTRONG WELLS.
LONDON:
RICHARD BENTLEY, NEW BURLINGTON STREET,
Publisher in Ordinary to Her Majesty.
M.DCCC.XLVI.
LONDON:
Printed by S. & J. BENTLEY, WILSON, and FLEY, Bangor House, Shoe Lane.
PREFACE.
The author of the following letters is aware that his publication would
have possessed greater utility, had the architectural descriptions been
more minute. He ventures to hope, however, that this imperfection may be
in some measure balanced by the more extended sphere opened to whatever
information it may contain.
The absence of many technical expressions, especially those which enter
into a detailed description of almost all Gothic buildings, and the
employment of which was forbidden by the occasion, may tend to
facilitate the satisfaction of popular curiosity respecting Spanish art:
the more so from the circumstance that the most intelligent in such
subjects are scarcely sufficiently agreed on the application of
technical terms, to allow of the compilation of a standard vocabulary.
His ambition will be more than satisfied, should his past, and perhaps
future researches, succeed, in some degree, in pioneering the path for a
more scientific pen.
Should this work fall into the hands of any reader, whose expectations
of entertainment may have been encouraged by the announcement of another
Spanish tour, but who may feel but moderate enthusiasm for the artistic
and monumental glories of the Peninsula, an explanation is due to him,
exonerative of the author from much of the responsibility attached to
the matter-of-fact tone of his descriptions. It is no less his nature
than it was his wish to paint what he saw as he saw it. Unfortunately
his visits to Spain took place after the accomplishment of the
revolution, the hardest blows of which were aimed at her church. The
confiscation of the ecclesiastical revenues has necessarily stripped the
processions and other ceremonies of their former splendour, and by
suppressing what constituted one of their chief attractions to the
native population, transferred the interest of the lover of the
picturesque from the bright colours of animated grouping, to the dead
background of stone and marble they have left.
In studying, however, to preserve this strict accuracy in all that
related to the principal subject of his correspondence, his aim was to
enliven it by the introduction of any incidents worthy of notice which
came under his observation. In this object he hopes he may have
succeeded.
Public-domain text, read in full here on John Shaqi.
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