The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
Not being aware of this at the time, I had drawn up my petition in
French. On my return for the answer, my reception was any thing but
encouraging. The excessive politeness of the Spaniard was totally lost
sight of, and I perceived a moody-looking, motionless official, seated
at a desk, with his hat resting on his eyebrows, and apparently studying
a newspaper. I stood in the middle of the room for two or three minutes
unnoticed; after which, deigning to lift his head, the personage
inquired in a gruff tone, why I did not open my cloak. I was not as yet
acquainted with the Spanish custom of drawing the end of the cloak from
off the left shoulder, on entering a room. I therefore only half
understood the question, and, being determined, at whatever price, to
see San Pablo, I took off my cloak, laid it on a chair, and returned to
face the official. "I took the liberty of requesting your permission to
view the ancient monastery of San Pablo."--"And, pray, what is your
reason for wishing to see San Pablo?"--"Curiosity."--"Oh, that is all,
is it!"--"I own likewise, that, had I found that the interior
corresponded, in point of architectural merit, with the façade, I might
have presumed to wish to sketch it, and carry away the drawing in my
portmanteau."--"Oh, no doubt--very great merit. You are a
Frenchman?"--"I beg your pardon, only an Englishman."--"You! an
Englishman!!" No answer. "And pray, from what part of England do you
come?" I declined the county, parish, and house.
These English expressions, which I had expected would come upon his ear,
with the same familiarity as if they had been Ethiopian or Chinese,
produced a sudden revolution in my favour. The Solomon became
immediately sensible of the extreme tact he had been displaying.
Addressing me in perfect English, he proceeded to throw the blame of my
brutal reception on the unfortunate state of his country. "All the
French," he said, "who come here, come with the intention of intriguing
and doing us harm. You wrote to me in French, and that was the cause of
my error. The monastery is now a prison; I will give you an order to
view it, but you will not find it an agreeable scene, it is full of
criminals in chains." And he proceeded to prepare the order.
Not having recovered the compliment of being taken for a conspirator;
nor admiring the civilisation of the governor of a province, who
supposed that all the thirty-four millions of French, must be
_intrigants_, I received his civilities in silence, took the order, and
my departure. The most curious part of the affair was, that I had no
passport at the time, having lost it on the road. Had my suspicious
interrogator ascertained this before making the discovery that I was
English, I should inevitably have been treated to more of San Pablo than
I desired, or than would have been required for drawing it in detail.
Public-domain text, read in full here on John Shaqi.
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