The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
The court of this edifice is as elaborately ornamented as the façade,
but it was executed at a much later period, and belongs to the
renaissance. The pillars are extremely elegant and uncommon. The doorway
of the library is well worthy of notice; also that of the refectory.
The college of San Gregorio was, in its day, the most distinguished in
Spain. Such was the reputation it had acquired, that the being announced
as having studied there was a sufficient certificate for the proficiency
of a professor in science and erudition. It is still a college, but no
longer enjoys the same exclusive renown. In the centre of the chapel is
the tomb of the founder, covered with excellent sculpture, representing
the four virtues, and the figures of three saints and the Virgin. It is
surrounded by a balustrade ornamented with elaborate carving. Berruguete
is supposed to have been the sculptor, but in the uncertainty which
exists on the subject, it would not be difficult to make a better guess,
as it is very superior to all the works I have seen attributed to that
artist. At the foot of the statue of the bishop is the following short
inscription, "Operibus credite." To this prelate was due the façade of
San Pablo; he was a Dominican monk at Burgos, where he founded several
public works. He became confessor, chief chaplain, and preacher to
Isabel the Catholic: afterwards Bishop of Cordova; and was ultimately
translated to the see of Palencia. He received the sobriquet of Fray
Mortero, as some say from the form of his face, added to the
unpopularity which he shared with the two other favorites of Ferdinand
and Isabella,--the Duke of Maqueda, and Cardinal Ximenes, with whom he
figured in a popular triplet which at that period circulated throughout
Spain,
Cardenas, el Cardenal,
Con el padre Fray Mortero,
Fraen el reyno al retortero.
which may be freely translated thus:
What with his Grace the Cardinal,
With Cardenas, and Father Mortar,--
Spain calls aloud for quarter! quarter!
The concise inscription seen on the tomb, was probably meant as an
answer to this satire, and to the injurious opinion generally received
respecting his character.
Public-domain text, read in full here on John Shaqi.
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