The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
You now first appreciate the utility of the more than plain exteriors of
the houses of this town; and you admire an invention, which adds to the
already charming objects, composing the interior of these miniature
palaces, a beauty still greater than that which they actually possess,
lent by the effect of contrast. It is calculated that there are more
than eighty thousand white marble pillars in Seville. For this luxury
the inhabitants are indebted in a great measure to the Romans, whose
town, Italica, seated, in ancient times, on the opposite bank of the
river, four miles above Seville, and since entirely buried, furnished
the Arab architects with a considerable portion of their decorating
materials.
In a future letter I hope to introduce you to the interior of some of
these abodes, where we shall discover that their inhabitants prove
themselves not unworthy of them, by the perfect taste and conception of
civilized life, with which their mode of existence is regulated.
[Illustration: HALL OF AMBASSADORS, ALCAZAR, SEVILLE.]
LETTER XVIII.
THE ARABS IN SPAIN. ALCAZAR OF SEVILLE.
Seville.
The chief attraction of this most interesting of the provinces of the
Peninsula, consists in the numerous well preserved remains of Arab art.
The most sumptuous of their palaces are, it is true, no longer in
existence, nor the principal mosques, with the exception of the
metropolitan temple of Cordova: but there remain sufficient specimens to
shew, that their architecture had attained the highest excellence in two
of the principal requisites for excellence in that science--solidity and
beauty.
The superiority of the Arabs in this branch of science and taste is so
striking, that all other departments of art, as well as the customs and
peculiarities of that race, and the events of their dominion in this
country, become at once the subjects of interest and inquiry. It is
consequently very satisfactory to discover that one can examine almost
face to face that people,--probably the most advanced in science and
civilization that ever set foot in Europe; so little are the traces of
their influence worn away, and so predominant is the portion of it still
discernible in the customs, manners, and race of the population of this
province, and even to a considerable extent in their language.
Public-domain text, read in full here on John Shaqi.
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