The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
Having passed through the first entrance, you are in a large square,
surrounded with buildings without ornament, and used at present as
government offices. At the opposite side another archway passes under
the buildings, and leads to a second large court. This communicates on
the left with one or two others; one of these is rather ornamental, and
in the Italian style, surrounded by an arcade supported on double
columns, and enclosing a garden sunk considerably below the level of the
ground. This court is approached by a covered passage, leading, as
already mentioned, from the left side of the second large square, the
south side of which--the side opposite to that on which we
entered--consists of the façade and portal of the inner palace of
all;--the Arab ornamental portion, the residence of the royal person.
At the right-hand extremity of this front is the entrance to the first
floor, approached by a staircase, which occupies part of the building on
that side of the square, and which contains the apartments of the
governor. The staircase is open to the air, and is visible through a
light arcade. The centre portal of this façade is ornamented, from the
ground to the roof, with rich tracery, varied by a band of blue and
white _azulejos_, and terminating in an advancing roof of carved cedar.
Right and left, the rest of the front consists of a plain wall up to the
first floor, on which small arcades, of a graceful design, enclose
retreating balconies and windows.
Entering through the centre door, a magnificent apartment has been
annihilated by two white partitions, rising from the ground to the
ceiling, and dividing it into three portions, the centre one forming the
passage which leads from the entrance to the principal court. Several of
the apartments are thus injured, owing to the palace being occasionally
used as a temporary lodging for the court. Passing across the degraded
hall, a magnificent embroidered arch--for the carving with which it is
covered more resembles embroidery than any other ornament--gives access
to the great court.
Public-domain text, read in full here on John Shaqi.
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