The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
It is difficult to ascertain what portion of this palace belongs to the
residence of the Moorish Kings, as Pedro the Cruel had a considerable
portion of it rebuilt by Moorish architects in the same style. The still
more recent additions are easily distinguished. One of them, in this
part of the edifice, is a gallery, erected by Charles the Fifth, over
the arcades of the great court. This gallery one would imagine to have
been there placed with a view to demonstrate the superiority of Arab art
over every other. It is conceived in the most elegant Italian style, and
executed in white marble; but, compared with the fairy arcades which
support it, it is clumsiness itself. The court is paved with white
marble slabs, and contains in the centre a small basin of the same
material, of chaste and simple form, once a fountain. The arcades are
supported on pairs of columns, measuring about twelve diameters in
height, and of equal diameter throughout. The capitals are in imitation
of the Corinthian. The entire walls, over and round the arches, are
covered with deep tracery in stucco; the design of which consists of
diamond-shaped compartments, formed by lines descending from the
cornice, and intersecting each other diagonally. These are indented in
small curves, four to each side of the diamond. In each centre is a
shell, surrounded by fanciful ornaments. The same design is repeated on
the inside of the walls, that is, under the arcade, but only on the
outer wall; and this portion of the court is covered with a
richly-ornamented ceiling of Alerce, in the manner called _artesonado_.
On the opposite side of the court to that on which we entered, another
semicircular arch, of equal richness, leads to a room extending the
whole length of the court, and similar in form to that situated at the
entrance, possessing also an ornamental ceiling, but plainer walls. The
left and right sides of the court are shorter than the others. In the
centre of the left side, a deep alcove is formed in the wall, probably
occupied in former times by a sofa or throne: at present it is empty,
with the exception, in one corner, of a dusty collection of _azulejos_
fallen from the walls, and exposing to temptation the itching palms of
enthusiasts. At the opposite end a large arch, admirably carved, and
containing some superb old cedar doors, leads to the Hall of
Ambassadors. This apartment is a square of about thirty-three feet, by
nearly sixty in height. It is also called the _media naranja_
(half-orange), from the form of its ceiling.
[Illustration: GREAT COURT OF THE ALCAZAR, SEVILLE.]
Public-domain text, read in full here on John Shaqi.
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