The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville. — John Shaqi
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
Beyond this apartment is the Chapel, a plain, not large room, containing
but two objects besides its very simple altar, with its, almost black,
silver candlesticks. Over the altar is a Conception, by Murillo; and, in
the centre of the chapel, a highly polished and neatly ornamented
funereal urn, composed of walnut-wood, contains the remains of the Cid:
the urn stands on a pedestal. On its two ends in letters of gold, are
inscriptions, stating its contents, and the date of its application to
its present purpose. I was told that the bones were contained in a
leaden box, but that a glass one was being prepared, which, on opening
the lid of the urn, would afford a view of the actual dust of the
warrior.
The remains of the Cid have only recently been conveyed to Burgos from
the monastery of San Pedro de Cardenas, about four miles distant. They
had been preserved there ever since his funeral, which took place in the
presence of King Alonzo the Sixth, and the two Kings, sons-in-law of the
hero, as soon as the body arrived from Valencia.
This monastic retreat, if dependence may be placed on the testimony of
the Cerberus of the Alcalde,--the cicerone (when duly propitiated) of
the municipal edifice,--did not turn out to be altogether a place of
repose to the warrior. According to this worthy, an amusing interpreter
of the popular local traditions, the exploits performed subsequently to
the hero's interment were such as almost to throw a shadow over those he
enacted during his mortal existence. One specimen will suffice. Some
twenty thousand individuals, including the monks of all the neighbouring
monasteries, were assembled in the church of San Pedro, and were
listening to a sermon on the occasion of the annual festival in honour
of the patron saint. Guided by curiosity, a Moor entered the church and
mingled with the crowd. After remaining during a short time motionless,
he approached a pillar, against which was suspended a portrait of the
Cid, for the purpose of examining the picture. Suddenly the figure was
seen by all present, whose testimony subsequently established the fact,
to grasp with the right hand the hilt of its sword, and to uncover a few
inches of the naked blade. The Moor instantly fell flat on the pavement,
and was found to be lifeless.
You would be surprised at the difficulty of forming even here, in the
midst of the scenes of his exploits, a definite idea of this Hercules of
the Middle Ages. For those who are satisfied with the orthodox histories
of the monks, he is without defects--a simple unsophisticated demi-god.
But there have been Mahometan historians of Spain. These are universally
acknowledged to have treated of all that concerned themselves with
complete accuracy and impartiality; and, when this happens, it should
seem to be the best criterion, in the absence of other proof, of their
faithful delineation of others' portraits.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account