The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
The Murillos are almost as numerous, and in his best style: but Seville
has retained the cream of the genius of her most talented offspring; and
even at Madrid, in the collection of the Academy, there is a
Murillo--the Saint Elizabeth--superior to any of those in the great
gallery. It is much to be wished that some artist, gifted with the pen
of a Joshua Reynolds, or even of a Mengs (author of a notice on a small
portion of these paintings), could be found, who would undertake a
complete critical review of this superb gallery. All I presume to say on
the subject is, were the journey ten times longer and more difficult,
the view of the Madrid Museo would not be too dearly purchased.
Before I left Madrid, I went to the palace, to see the traces of the
conspiracy of the 7th October, remaining on the doors of the Queen's
apartments. You will recollect that the revolt of October 1842 was that
in favour of Christina, when the three officers, Concha, Leon, and
Pezuela, with a battalion, attacked the palace in the night, for the
purpose of carrying off the Queen and her sister. On the failure of the
attempt, owing to its having been prematurely put in execution, the
Brigadier Leon was shot, and the two others escaped.
It appears that the execution of this officer, unlike the greater number
of these occurrences, caused a strong sensation in Madrid, owing to the
sympathy excited by his popular character, and the impression that he
was the victim of jealousy in the mind of the Regent. The fine speech,
however, attributed to him by some of the newspapers, was not pronounced
by him. His words were very few, and he uttered them in a loud and clear
tone, before giving the word of command to his executioners. This, and
his receiving the fire without turning his back, were the only incidents
worthy of remark.
One of the two sentries stationed at the door of the Queen's anteroom
when I arrived, happened to have played a conspicuous part on the
eventful night. The Queen was defended by the guard of hallebardiers,
which always mounts guard in the interior of the palace. This sentinel
informed me that he was on guard that night, on the top step of the
staircase, when Leon, followed by a few officers, was seen to come up.
Beyond him and his fellow-sentry there were only two more, who were
posted at the door of the Queen's anteroom, adjoining her sleeping
apartment. This door faces the whole length of the corridor, with which,
at a distance of about twenty yards, the top of the staircase
communicates. In order to shield himself from the fire of the two
sentinels at the Queen's door, Leon grasped my informant by the ribs
right and left, and, raising him from the ground, carried him, like a
mummy, to the corridor; and there, turning sharp to the left, up to the
two sentries, whom he summoned to give him admittance in the name of the
absent Christina.
Public-domain text, read in full here on John Shaqi.
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