The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
Opening from this court is the Sala Capitular a handsome saloon used on
occasions of elections of the Commendadora, or other solemnities, which
do not take place in the church. It contains a portrait of the sister of
St. Ferdinand,--a member of the community; and a curious picture of St.
Iago leading to victory the christian army of Don Ramiro the First. In
fulfilment of a promise made to the king the night preceding the battle
of Albayde, the apostle, according to the historians, led the army in
person, mounted on a milk-white charger, which cantered along at a
sufficient elevation over the heads of the combatants, to be visible to
all; thus inspiring, simultaneously, his _protégés_ with confidence, and
the Moors with terror. From that victory the Spanish war-cry of Santiago
is said to derive its origin.
The buildings on the north side of the large court stand on the brink of
a perpendicular rock, overhanging the _faubourg_ on the Madrid side of
Toledo, and commanding right and left the luxuriant _vega_, to an extent
of from forty to fifty miles. Over the highest story of this portion of
the building, and forming a continuation of the rock, a Belvidere has
been constructed, the roof of which is supported by piers, leaving all
the sides open: it forms a promenade of about a hundred feet in length,
by twenty-five in width.
The regulations of this convent are much less strict than those observed
by all other religious communities. It would not otherwise have been
possible to obtain permission to visit the establishment in detail. The
_monjas cavalleras_ (knight-nuns) of the military order of Santiago,
take the white veil only, and not the black. If a nun inherits a
property, she obtains permission from the council of military orders,
sitting at Madrid, to absent herself from the convent for the purpose of
transacting all necessary business. The same permission may be obtained
in cases of illness. In taking the vows there is no prostration beneath
the veil. The novice crosses her hands in a kneeling posture, and takes
the oath on the Gospel. One is struck by something invincibly puzzling
in this amalgamation of military regulation with religious hierarchy and
female seclusion. They call themselves knights; their abbess, commander.
The king, as Grand Master of the military orders (since Ferdinand the
Fifth) of Calatrava, Alcantara, and Santiago, is their recognised chief;
and whenever military mass is required to be performed, the troops march
into their chapel to beat of drum.
I was even assured that these recluses are not obliged to refuse a hand
offered for a waltz, if it belongs to an arm having an epaulette at its
other extremity; and that such scenes are known to occur in the presence
of the commandress herself.
Public-domain text, read in full here on John Shaqi.
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