The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
The nun's choir is entirely separated from the public chapel, with the
exception of two gratings, which admit to the latter the sound of the
organ, and through which the nuns have a better view of the church than
the public can obtain of the choir, this being less lighted, and on a
lower level. Near the choir a small oratory of no greater dimensions
than about seven feet square, appears to be the only remains extant of
the Arab buildings, which occupied the site. The ceiling is
hemispherical, and ornamented in the Arab style; and one of the walls
contains a niche surrounded by Arab tracery. I should mention likewise a
fountain in the garden, which bears a similar character.
These nuns live less in community with each other than those of other
convents; in fact, their life resembles in many respects that of
independent single ladies. Each inhabits her own suite of apartments,
and keeps her own servant. Her solitary repasts are prepared in her own
separate kitchen, and at the hour chosen by herself. Once a-year only,
on the occasion of the festival of the patron Apostle, the community
assembles at dinner. The common refectory is at present let to
strangers, together with other portions of the convent. The novice who
wishes to enter this convent must be of good family, (proof of noble
descent being demanded up to grand-fathers and grandmothers inclusive)
and possessed of property. Of the entrance of the present _commendadora_
into the convent thirty years since, a romantic story is related. She
belongs to a family of rank in the province of La Mancha,--and it is
worth mentioning, that she recollects Espartero's father, who, as she
states, served a neighbouring family in the capacity of cowherd.
A match, _de convenance_, had been arranged for her by her parents, on
the accomplishment of which they insisted the more rigidly from her
being known to entertain an attachment, the object of which was
disapproved. No resistance being of any avail, the wedding-day was
named; and she was taken to Toledo for the purpose of making the
necessary purchases for the occasion. It so happened that she was
received by a relative, a member of the community of Santiagistas; and
whether she confided her pains to the bosom of this relative, and
yielded to her persuasions--nuns being usually given to proselytism; or
perhaps acting on the impulse of the moment; she declared on the morning
after her arrival her resolution never to quit the convent; preferring,
as she resolutely affirmed, an entire life of seclusion, to an union
with a man she detested. Instead, therefore, of the wedding dresses, a
_manton capitular_ was the only ornament purchased.
Public-domain text, read in full here on John Shaqi.
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