The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
The property of this establishment remaining for the most part in
possession of the respective original possessors, and not forming a
common stock, the conscientious scruples of the revolution made an
exception in its favour, owing to which it is not reduced to so
destitute a condition as that of the other unclosed convents. The nuns
of San Clemente--the principal convent of Toledo, and of which the
abbess alone possessed private property, are reduced to a life of much
privation, as are also those of all the other convents. Some obtain
presents in return for objects of manual industry, such as dolls'
chairs, and other similar toys. Those of San Clemente had, and still
have, a reputation for superior skill in confectionary. A specimen of
their talent, of which I had an opportunity of judging in the house of a
friend of the abbess, appeared to me to warrant the full extent of their
culinary fame. They do not, however, exercise this art for gain. At San
Clemente, and no doubt at all the others, the new government--besides
the confiscation of all rents and possessions in money and land--seized
the provisions of corn and fruits which they found on searching the
attics of the building.
Immediately below the ruined modern Alcazar, and facing the Expositos,
is seen a vast quadrangular building, each front of which presents from
twenty to thirty windows on a floor. It is without ornament, and is
entered by a square doorway, which leads to an interior court. It is now
an inn, called Fonda de la Caridad, but was originally the residence of
the Cid, who built it simultaneously with the erection of the Alcazar,
by Alonzo the Sixth, shortly after the taking of the town; Ruy Diaz
being at that time in high favour, and recently appointed first Alcalde
of Toledo, and governor of the palace. It was on the occasion of the
first cortez held in this town, that the hero demanded a formal audience
of Alonzo, in which he claimed justice against his two sons-in-law, the
counts of Carrion.
These were two brothers, who had married the two Countesses of Bivar. On
the occasion of the double marriage, a brilliant party had assembled at
the Cid's residence, where all sorts of festivities had succeeded each
other. The two bridegrooms, finding themselves, during their presence in
this knightly circle, in positions calculated to test their mettle,
instead of proving themselves, by a display of unequalled valour and
skill, to be worthy of the choice by which they had been distinguished,
gave frequent proofs of deficiency in both qualities; and, long before
the breaking up of the party, their cowardice had drawn upon them
unequivocal signs of contempt from many of the company, including even
their host. Obliged to dissimulate their vexation as long as they
remained at the château of the Cid, they concerted a plan of vengeance
to be put in execution on their departure.
Public-domain text, read in full here on John Shaqi.
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