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THE PIER-GLASS
[Illustration: ROBERT GRAVES
(From a Painting by Benjamin Nicholson).]
THE PIER-GLASS
by
ROBERT GRAVES
London: Martin Secker
This myrrour I tote in, _quasi diaphanum
Vel quasi speculum, in aenigmate_....
_Speke Parot, John Skelton._
The London and Norwich Press, Limited, London and Norwich, England
TO
NANCY NICHOLSON
NOTE
Most of the pieces here included have appeared serially in _The London
Mercury_, _The Athenæum_, _The Spectator_, _The Nation_, _The New
Statesman_, _To-day_, _The Century Magazine_ and other periodicals,
English and American.
Robert Graves.
Boar's Hill,
Oxford.
CONTENTS
The Stake, 11
The Troll's Nosegay, 12
The Pier-glass, 13
The Finding of Love, 15
Reproach, 17
The Magical Picture, 18
Distant Smoke, 21
Morning Phoenix, 23
Catherine Drury, 24
Raising the Stone, 25
The Treasure Box, 26
The Kiss, 28
Lost Love, 29
Fox's Dingle, 30
The Gnat, 31
The Patchwork Bonnet, 34
Kit Logan and Lady Helen, 35
Down, 36
Saul of Tarsus, 38
Storm: at the Farm Window, 39
Black Horse Lane, 40
Return, 42
Incubus, 44
The Hills of May, 45
The Coronation Murder, 49
THE STAKE
Naseboro' held him guilty,
Crowther took his part,
Who lies at the cross-roads,
A stake through his heart.
Spring calls, and the stake answers
Throwing out shoots;
The towns debate what life is this
Sprung from such roots.
Naseboro' says "A Upas Tree";
"A Rose," says Crowther;
But April's here to declare it
Neither one nor other.
Neither ill nor very fair,
Rose nor Upas,
But an honest oak-tree,
As its parent was.
A green-tufted oak-tree
On the green wold,
Careless as the dead heart
That the roots enfold.
THE TROLL'S NOSEGAY
A simple nosegay! was that much to ask?
(Winter still gloomed, with scarce a bud yet showing).
He loved her ill, if he resigned the task.
"Somewhere," she cried, "there must be blossom blowing."
It seems my lady wept and the troll swore
By Heaven he hated tears: he'd cure her spleen;
Where she had begged one flower, he'd shower fourscore,
A haystack bunch to amaze a China Queen.
Public-domain text, read in full here on John Shaqi.
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