Boys -- Juvenile fiction; Country life -- Juvenile fiction; Fantasy literature
But she had sent her little boy instead, hoping that the change of air
would do him good after the winter months spent leaning over school
books. So in the quaint low-ceiled bedroom upstairs, sheets that smelled
of lavender, with beautiful hand-embroidered initials, made by some
bride for her trousseau long ago, were spread on the tall four-poster
bed with its curious starched valence and silk patch-work quilt; the
pitcher on the wash-stand had been filled to the brim with cool clear
spring water, queer knit towels in basket weave design hung ready for
use, and a delicious odor of home-made bread floated up from the
regions below.
It was the little boy's first journey, everything was new to him--when
he got off at the station Uncle Sam met him and lifted him up to the
front seat of the carriage with his hand bag tucked in behind, as he had
lifted the little boy's mother up and seated her beside him, years ago.
And so they drove out together along the broad country roads, past the
green meadows, where quiet cows cropped the grass, until they came
within sight of the farm and windmill and turned into the leafy lane
under the spreading chestnut trees and stopped at the gate.
[Illustration: _Aunt Laura was there to welcome him._]
Aunt Laura was there to welcome him--the little boy's name was Laurie,
he had been given the name out of compliment to Aunt Laura; somehow or
other it was almost like "coming home" instead of "going away" he
thought, it was so home-like; perhaps it was because everything was so
very, very old, that their newness and strangeness had entirely worn
off. Perhaps it was because his mother had so often told him about it
all, that everything seemed so familiar.
He had to ask ever so many questions, polite questions you know, for he
was not a rude little boy at all, but it seemed so wonderful to him to
be here at last that he could not help exclaiming at everything.
There was the parlor just as he had imagined it, with the row of
seashells across the mantle and the door opening into the porch and
garden and beyond the library with its great deep fireplace, its
old-fashioned andirons and red brick hearth.
Nothing was new in the old house, everything had been made years and
years ago when there was no machinery, and chairs and furniture had to
be turned by hand; for that reason people who made them took more pains
than they do now, so that they would last a long time, and only the
colours in the brocades had faded and the silk worn away in the
cross-stitch work of the antimacassars.
Public-domain text, read in full here on John Shaqi.
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