"Sesostris, my mother fears that evil young prince. He possesses over
her an inexplicable power. To this influence he owes his elevation,
from being a mere governor of Saïs, to the viceroyalty of Upper Egypt.
He would not fail, should I fall, to exert his mysterious power over
her mind, and his ambition would prompt him to aim at even the throne
of all Egypt. But let us mount!" he added, as we touched the shore.
A score of horsemen, armed with long spears, were in waiting. Remeses
and I mounted horses already provided; and, at a wave of his hand, the
whole party dashed off along the avenue of the aqueduct, a magnificent
thoroughfare, two miles in length, bordered by palm-trees, with, at
intervals, a monolith statue of red Syenite granite, or an obelisk,
casting its needle-like shadow across the wide, paved road. At the end
of this avenue, which leads straight from the river to the pyramids,
we turned south, and before us beheld, spread out as far as the eye
could reach, the tented field of the vast Egyptian host, cavalry and
footmen of all arms, languages, and costumes, belonging to the nations
tributary to Egypt. I had visited this vast camp the preceding day. It
covered a league of ground, presenting a sea of tents, banners,
plumes, spears, and shining helms. As we came in sight, a trumpeter
sounded a few loud notes to proclaim the presence of the
prince-general. We dashed up to the central pavilion, on the summit of
which the winged sun of burnished gold showed that the army was to
march under the particular guardianship of the god. From the summit of
the staff of other handsome tents, the emblems of generals and chiefs
of battalions were displayed in the form of silver hawks' heads, the
brazen head of a lion or wolf, or the heads of the ibis, crocodile,
and vulture. Each phalanx thus marched under and knew its peculiar
emblem, following its lead in the column of advance on the march, and
rallying around it in the midst of battle.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account