We approached the central pylon along a paved court, across which two
hundred chariots could have driven in a line. This court was entirely
surrounded by a double row of majestic columns, with the lotus-leaf
capitals I have before described. The vastness of their proportions
seemed to be increased by contrast with a group of priests, who looked
like pigmies in size as they stood by their bases. The gigantic
entablature, which united their summits, was covered with sacred
symbols, richly colored, and crowned with statues of kings, hewn out
of the dark-gray granite of Ethiopia. But some of these were mutilated
by Time, which, indeed, had thrown its mantle of decay over the
whole,--pillars, architecture, and sculpture; for this court is coeval
with the sphinx crouched at its entrance, and but a little later than
the two pyramids. In a few centuries, decay will have brought the
mighty fabric to the earth; for, massive as it looks, it is built of
brick, covered with pictured stucco; but the pyramids of stone, which
have withstood the lapse of ages beyond history, will last as long as
the everlasting hills of granite from which their enormous blocks were
hewn.
Passing beneath the great portal, we found ourselves in the sacred
square of the temple of the Pyramids, and I could now perceive the
mighty design. Connected by stupendous columnar wings, the pyramids
rose in sublime grandeur on either hand. Their summits shone with the
light of the setting sun, which, reflected from the polished casing of
the pictured tiles yet remaining near the top, and that once covered
the whole surface from base to apex, lent a splendor to them
indescribable. On the opposite side of the quadrangle, formed by the
temple in front and the bases of the pyramids on the two sides, is a
dark grove of palms, intermingled with statues and altars; and beyond
rise the dark hills of Libya--a fitting and solemn background to the
scene.
About the summits of the Queen's Pyramid, which is a little smaller
than the other, though it appears to be of equal height, from the
superior elevation of the platform of rock on which it stands, soared
flocks of the white ibis, their snow-white wings flashing like pinions
of silver as they wheeled in mid-air. At that immense height they
looked no larger than sparrows.
A statue of Horus, whose name I had also seen inscribed on the tablet
of the temple of the Sphinx, rose a colossal monolith in the centre of
the quadrangle, with one of Thoth upon his right, and another of
Anubis on his left hand. These figures were symbolical of the funereal
use of the pyramids between which they stood.
Public-domain text, read in full here on John Shaqi.
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