Think not that the splendors of the Court of "Pharaoh's Daughter," as
the Egyptians still love to call their queen, will lead me to forget
my own royal home and the dear scenes in which I have passed my
life--scenes that memory will ever cherish, as they are associated
with the love and care of a mother, such as a prince was never before
blessed with by the gods. Think not, my queenly mother, that while I
describe with pleasure the magnificence of Queen Amense's realm, I
think less of your own kingdom; but, rather, all I behold only causes
me to love my native land the more; for the glory of Tyre, my home, is
my mother's presence--and my mother is not here! Queen Amense may have
the homage of my intellect, but that of my heart is reserved only for
thee!
I have prefaced my letter in this manner, dear mother, lest you should
jealously read the glowing descriptions I give of what I behold, and
may fear that the luxuries and grandeur of Egypt will make me
dissatisfied with the lesser splendor of the Court of Phœnicia.
Fear not. I shall bring back to thee a son's faithful love, and to my
people the loyal affection due to them from their prince.
I closed my letter to you in sight, as I thought, of the City of the
Sun. But what I believed to be the capital of the gods, was but the
colossal gateway leading from the river to the city, which is half an
hour's ride inland. Yet from the Nile to the city there is a
continuous avenue of temples, such as earth has never beheld--not even
Nineveh or Babylon, in all their glory. For a mile fronting the river
extends a row of palaces, which, stupendous as they are, form but
wings to a central temple of vaster dimensions. The palaces that guard
it, as it were, are adorned with sculptured columns of the most
elegant description. They are three hundred in number, covered with
gorgeous paintings in the richest tints, and carved with the most
finished art. The beautiful capitals of these columns are shaped
alternately like a flower-bud, not yet expanded, or like the open
flower of the lotus, and the sides formed of imitations, by the
wonderful artist, of leaves and flowers indigenous to Egypt. The
columns and capitals, thus exquisitely fashioned, are gigantic in
size, and of the grandest altitude.
The central temple is a lofty and wonderful edifice of brilliant red
sandstone, with sixty columns of marble enriching its façades; these,
with the three hundred, representing the three hundred and sixty days
of the ancient Egyptian year. The front of this sublime temple is
pierced by three colossal gateways, broad enough for four chariots to
pass abreast. These gateways are adorned with paintings, in the
brightest tints, representing processions of priests, sacrifices,
offering of incense, and all the imposing religious ceremonies
appertaining to the worship of the Sun.
Public-domain text, read in full here on John Shaqi.
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