I have said that his hair is raven-black, and may add that his eyes
are large, expressive, heavily-lidded, and with a peculiar expression
of mingled softness and brilliancy. Unlike the Egyptians, his features
are truly Syriac, with the high arched nose and full red lips of the
inhabitants of the city of Damascus. Do you remember when we last year
visited Damascus, seeing, in the painted chamber of the adytum of the
mausoleum of Eliezer, a representation of the Hebrew prince Abram, of
Syria? To that venerable prince, whose virtues and wisdom tradition
would have preserved, even if he had not erected this tomb to his own
and his master's memory, Eliezer was chamberlain or steward for many
years. Returning to Damascus with great wealth, which Abram had
bestowed upon him, he brought with him from Egypt, where he had once
been, a cunning artist in colors, who decorated the tomb he erected
for himself, in that wonderful manner which has excited the admiration
of all beholders. But, dear mother, beautiful as that is, and well
preserved as it has been for four hundred years, it is not to be
compared with art in Egypt at the present day. You remember you were
struck with the majesty and almost celestial sublimity of the old
shepherd prince's face, which the affection of his steward has
preserved. You spoke of the eagle-like nose, the dark, yet
tearful-looking eyes, with the drooping lid just casting into shadow
the depth of its inner light. You remember the nobly shaped head and
commanding brow. Such a head and profile is that of Remeses, the
Prince of Egypt. My first look at his face recalled the portrait in
the tomb, which its founder has so beautifully and modestly inscribed:
"ELIEZER OF DAMASCUS,
THE STEWARD OF ABRAM,
PRINCE BELOVED OF THE GODS."
After I had received Remeses into my house, I conducted him through a
two-valved door, opened before us by my chief butler, into the superb
apartment allotted for recreation and repose. My mansion consisted of
a court encircled by columns, and from it extended corridors to
various chambers. The court is crossed by avenues of trees, while
fountains and flowering plants refresh the eye in every direction.
The apartment into which Remeses came with me, was divided into tall
panels, upon which were executed, in the most brilliant colors, the
fairest pictures. These panels were intercolumnar, each column adorned
with carvings of leaves and flowers, and terminating in a capital in
imitation of an open lotus. This room was open to the air, but
shielded from the sun by a purple awning that extended to its four
sides, and was a little raised above the walls upon the columns, so
that the breezes, which were wafted over the gardens of flowers, might
freely enter.
Public-domain text, read in full here on John Shaqi.
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