The pioneer : $b A tale of two statesBonner, Geraldine
General
The pioneer : $b A tale of two states
Bonner, Geraldine
California -- Fiction; Nevada -- Fiction; Western stories
At the first window the two men stopped and looked in. The dining-room,
with its wooden walls, low ceiling and board floor, framed like an
echoing shell the simple revel. Its bareness had been decorated with
long strands of colored paper, depending from points in the ceiling
and caught up in the corners. At intervals along the walls kerosene
lamps, backed by large tin reflectors, diffused a raw, bright light,
each concave tin throwing a shadow like a stream of ink down the boards
below it. In a corner the three musicians worked with furious energy,
one blowing a cornet and two scraping violins. A square dance was in
progress, and at intervals the man who played the larger violin, his
chin dug pertinaciously into the end of his instrument, yelled in
strident tones:
“Swing your pardners! Ladies to the right. Shassay all.”
Black Dan, satisfied by the first glance that his daughter was provided
with a partner, retraced his steps and took a seat at the deserted end
of the balcony, whence the red tip of his cigar came and went against a
screen of darkness. The Colonel, much interested, remained looking in.
It was an innocently spirited scene, every participant seeming bent on
exacting his full share of enjoyment from the fleeting hour. There were
girls who had driven in fifteen and twenty miles from the camps and
ranches scattered through the district, and who, flushed and excited,
were bounding through the measure with an energy which made the floor
vibrate. Their partners, also drawn from a radius of twenty miles about
Foleys, were of many varieties, from the few mining superintendents
of the neighborhood to some of the underground workers on the Buckeye
Belle.
Mitty, clad in maidenly white muslin confined by a blue sash, was
evidently much in demand. Her dancing, which was marked by a romping
vigor, had loosened her hair, and a half-looped brown braid sent a
scattering of hair-pins along the floor. Her partner, the proprietor
of the local livery stable, was conducting her through the mazes of
the dance with many fancy steps. An occasional haughty glance, a loudly
defiant quality in her laugh, and the pert air with which she flounced
through the figures, indicated to the watcher that she was acutely
conscious of Barney Sullivan, leaning against the wall opposite and
eying her with jealous, hang-dog adoration.
Public-domain text, read in full here on John Shaqi.
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