But in a later adventure, so he told me, the farcical part was left
out. That was an experience in which, if the tragedy was also
wanting, there was a most severe test upon his nerves. He had left the
camp, taking a fowling piece with him, and he wandered along a stream.
He had just taken sight upon a skein of wild fowl, and was about to
fire, when suddenly a band of Indians came from behind a bank, and in
another instant the shot would have been among them. But luckily he
had not pulled the trigger. However his attitude, the pointed gun made
him an object of suspicion. The Indians were upon the war-path, but
not with the whites just then. My friend was surrounded, and he must
explain to the satisfaction of the savages who he was, and why he was
there. He was finally released, however, upon proof that he was from a
camp of whites near by. But all the same it was an ordeal to stand
surrounded by those painted savages, scalps dangling from their pony
saddles. And it was one that the actor therein would not have cared to
repeat.
[Illustration: _Laramie Peak from the Black Hills._]
It did produce upon one a disturbing sensation; that knowledge, I
mean, of how often the eyes of ambushed Indians might be fixed upon
one. And the wild animals, too! From the distance they watched. Herds
of buffalo, perhaps, or of deer, looked upon our moving train from the
plateau tops. Beyond the flaming yellow sun-flowers, amid the bright
red of the rocky hills, the Sioux was often concealed. His face was
painted of the same gaudy colors, and he looked with blood lust upon
us. We knew not when this might be; yet that it was always possible
gave a sort of aspect of menace to the bluffs and hills along the way.
Public-domain text, read in full here on John Shaqi.
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