Inside and out; yes, the leaves and the covers all tell tales. This
buckskin was drenched many a time by the thunder-storms of Nebraska
and Wyoming; by the sleet and snow that fell upon the mountains.
Between these sheets of variously-toned gray paper, close to the
binding, are little waves of red, gritty stuff, contributions, on some
windy day, from the sand hills of the Platte Valley, or the Big Sandy
Creek (the poetic Glistening Gravel Water of the Indians), or from
"The Three Crossings" of the Sweetwater, or the wearisome piece of
road leading from Platte to Platte--North and South--over the ridge
and down into Ash Hollow. One end of the book has been submerged in
water, a reminiscence, no doubt, of the fording of either the Platte,
the Sweetwater, the Big or Little Laramie or the Green River farther
on. O, there are many emotions revived within me by a sight of the
book; they crowd upon me thick and fast! These crisp, gray leaves of
sage, where did they get between the leaves? It was, I believe, on one
cool September night, at Quaking Asp Hollow. I remember that then
great bonfires were blazing around our camp, and the red tongues of
flames showed by their light, wild groups of dancers--the ox-punchers
performing strange antics; a fantastic dancing supposed to be under
the patronage of Terpsichore; or, at least, some more western muse; a
something, as I recall it now, between that of our modern ball-room
and the Apache Ghost-Dance.
Remarkable that those sketches can suggest to me so much! Yet it is
that which is unseen that fills me with amaze. Turning over the leaves
it all comes back. "The Journey" is no longer a dream; it becomes
again a reality; I go over the long, long plodding, the slow progress
of seemingly endless days. Not only do I look upon the scenes which
were transferred to the book, but, through sympathy, on others also
that, for want of time, were left unsketched. Incidents of many kinds
thrust their memories upon me. Sometimes the experiences recalled were
pleasurable; sometimes they were sad. But mirthful or tragic, pathetic
or terrible, I go over them again, and the twelve hundred miles, nay,
the fifteen hundred, considering the circuitous route that we were
compelled to follow, pass before me like a moving panorama. Prairies,
hills, streams, mountains, canons, follow each other in quick
succession--all the ever-changing prospect between the banks of the
Missouri River and the Inland Sea.
[Illustration: _The Start from Missouri River._]
Public-domain text, read in full here on John Shaqi.
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