Produced by Chris Curnow, Woodie4, Joseph Cooper and the Online Distributed Proofreading Team at https://www.pgdp.net THE PIRATE AND THE THREE CUTTERS [Illustration: Publishers mark] [Illustration: _Cain._] THE PIRATE AND THE THREE CUTTERS BY CAPTAIN MARRYAT WITH ILLUSTRATIONS BY EDMUND J. SULLIVAN AND AN INTRODUCTION BY DAVID HANNAY London MACMILLAN AND CO., LIMITED NEW YORK: THE MACMILLAN COMPANY 1897 _All rights reserved_ INTRODUCTION Among the few subjects which are still left at the disposal of the duly-gifted writer of romance is the Pirate. Not but that many have written of pirates. Defoe, after preparing the ground by a pamphlet story on the historic Captain Avery, wrote _The Life, Adventures, and Piracies of Captain Singleton_. Sir Walter Scott made use in somewhat the same fashion of the equally historic Gow--that is to say, his pirate bears about the same relation to the marauder who was suppressed by James Laing, that Captain Singleton does to Captain Avery. Michael Scott had much to say of pirates, and he had heard much of them during his life in the West Indies, for they were then making their last fight against law and order. The pirate could not escape the eye of Mr. R. L. Stevenson, and accordingly we have an episode of pirates in the episode of the _Master of Ballantrae_. Balsac, too, wrote _Argow le Pirate_ among the stories which belong to the years when he was exhausting all the ways in which a novel ought not to be written. Also the pirate is a commonplace in boys' books. Yet for as much as he figures in stories for old and young, it may be modestly maintained that nobody has ever yet done him quite right. Defoe's Captain Singleton is a harmless, thrifty, and ever moral pirate, of whom it is impossible to disapprove. Sir Walter's is a mild gentleman, concerning whom one wonders how he ever came to be in such company. Michael Scott's pirate is a bloodthirsty ruffian enough, and yet it is difficult to feel that a person who dressed in such a highly picturesque manner, and who was commonly either a Don or a Scotch gentleman of ancient descent, was quite the real thing. Mr. Stevenson's pirate is nearer what one knows must have been the life. He is a cowardly, lurking, petty scoundrel. John Silver is certainly something very different, but then when Mr. Stevenson drew the commanding figure in Treasure Island he was not making a portrait of a pirate, but was only making play with the well-established puppet of boys' books. Yet, after all, the pirate, if he was not such an agreeable rascal as John Silver, was not always the greedy, spiritless rogue drawn in the _Master of Ballantrae_. To do him properly and as he was, he ought to be approached with a mixture of humour and morality, and also with a knowledge of the facts concerning him, which to the best of my knowledge have never been combined in any writer.