Chicago (Ill.) -- Fiction; Didactic fiction; Domestic fiction; Married people -- Fiction; Psychological fiction; Wheat trade -- Fiction
The Italian Grand Opera Company gave one of the most popular pieces of
its repertoire on that particular night, and the Cresslers had invited
the two sisters and their aunt to share their box with them. It had
been arranged that the party should assemble in the Auditorium
vestibule at a quarter of eight; but by now the quarter was gone and
the Cresslers still failed to arrive.
"I don't see," murmured Laura anxiously for the last time, "what can be
keeping them. Are you sure Page that Mrs. Cressler meant here--inside?"
She was a tall young girl of about twenty-two or three, holding herself
erect and with fine dignity. Even beneath the opera cloak it was easy
to infer that her neck and shoulders were beautiful. Her almost extreme
slenderness was, however, her characteristic; the curves of her figure,
the contour of her shoulders, the swell of hip and breast were all low;
from head to foot one could discover no pronounced salience. Yet there
was no trace, no suggestion of angularity. She was slender as a willow
shoot is slender--and equally graceful, equally erect.
Next to this charming tenuity, perhaps her paleness was her most
noticeable trait. But it was not a paleness of lack of colour. Laura
Dearborn's pallour was in itself a colour. It was a tint rather than a
shade, like ivory; a warm white, blending into an exquisite, delicate
brownness towards the throat. Set in the middle of this paleness of
brow and cheek, her deep brown eyes glowed lambent and intense. They
were not large, but in some indefinable way they were important. It was
very natural to speak of her eyes, and in speaking to her, her friends
always found that they must look squarely into their pupils. And all
this beauty of pallid face and brown eyes was crowned by, and sharply
contrasted with, the intense blackness of her hair, abundant, thick,
extremely heavy, continually coruscating with sombre, murky
reflections, tragic, in a sense vaguely portentous,--the coiffure of a
heroine of romance, doomed to dark crises.
On this occasion at the side of the topmost coil, a white aigrette
scintillated and trembled with her every movement. She was
unquestionably beautiful. Her mouth was a little large, the lips firm
set, and one would not have expected that she would smile easily; in
fact, the general expression of her face was rather serious.
"Perhaps," continued Laura, "they would look for us outside." But Page
shook her head. She was five years younger than Laura, just turned
seventeen. Her hair, dressed high for the first time this night, was
brown. But Page's beauty was no less marked than her sister's. The
seriousness of her expression, however, was more noticeable. At times
it amounted to undeniable gravity. She was straight, and her figure,
all immature as yet, exhibited hardly any softer outlines than that of
a boy.
Public-domain text, read in full here on John Shaqi.
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