The Pit Town Coronet: A Family Mystery, Volume 1 (of 3) — John Shaqi
The Pit Town Coronet: A Family Mystery, Volume 1 (of 3)Wills, C. J. (Charles James)
General
The Pit Town Coronet: A Family Mystery, Volume 1 (of 3)
Wills, C. J. (Charles James)
England -- Juvenile fiction; Families -- Juvenile fiction
"It's very good of you to see me; I'm afraid I don't deserve it," he
said, seating himself beside her on the rustic bench, and, man-like,
commencing to bore holes in the gravel with the stout ash-plant which he
carried. Youth and maid decorously continued to gaze upon the ground and
to critically study their own foot coverings. Haggard was a man who
looked well in any dress, but the grey tweed suit which he wore, the
artistic bit of red of his loosely-tied sailor's knot, his big grey felt
hat, his leggings also of tweed, even his stout but well-made lace-up
boots seem to give the young giant the needful halo of romance. This,
the usual morning dress of a young English gentleman in the country, is
what is generally selected as the costume of the hero of an Adelphi
drama, when that wonderful young man is discovered in his virtuous home
prior to the commencement of his numerous sufferings and hair-breadth
escapes. As for Georgie, the conventional French muslin set off her
faultless figure, a large Leghorn hat protected her delicate complexion
from the sun's rays, her magnificent hair was worn in the rather severe
Grecian style, but then the big plait at the back was all her own, and
the bronze chestnut locks, tightly strained as they were around her
head, disclosed the small shell-like ear, that sign of breeding which it
is impossible to counterfeit. Probably Georgie Warrender had been right
when, as a girl, she had declined to have those pretty ears pierced. If
we accept the hypothesis that beauty unadorned is adorned the most, then
Georgie in her native loveliness was, indeed, highly decorated. But she
was nervous in this formal _tête-à-tête_; this showed itself in her
heightened colour, which was still maintained, and in the occasional
movement of her delicately fashioned little bronze shoes. As Sir John
Suckling said long ago:
"Her feet beneath her petticoat,
Like little mice peeped in and out,
As though they feared the light."
The quotation is somewhat hackneyed, perhaps; but it ran through
Reginald Haggard's mind, as he prodded his stick into the gravel.
Public-domain text, read in full here on John Shaqi.
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