Putting aside his meat-eating proclivities, for which we cannot throw stones at him, the Greek of the Iliad and of the Odyssey is the friend of his beast. He does not regard it as his long-lost brother, but he sees in it a devoted servant; sometimes more than human in love if less than human in wit. His point of view, though detached, was appreciative. Practically it was the point of view of the twentieth century. Homer belongs to the Western world, and in a great measure to the modern Western world. He had no racial fellow-feeling with animals; yet he could feel for the sparrow that flutters round its murdered young ones and for the vulture that rends the air with cries when the countryman takes its fledglings from the nest. He could shed one immortal tear over the faithful hound that recognises his master and dies. “There lay the dog Argus, full of vermin.” If it had not been a living creature, what sight could have more repelled human eyes? But with dog as with man, the miserable body is as naught beside—what in the man we call the soul. “He fawned with his tail and laid down both his ears, but he could no more come nearer his master.” All the sense of disgust is gone and there is something moist, perhaps, in our eyes too, though it is not the ichor of immortality. Giving names to animals is the first instinctive confession that they are not _things_. What sensible man ever called his table Carlo or his inkpot Trilby? Homer gives his horses the usual names of horses in his day; this is shown by the fact that he calls more than one horse by the same name. Hector’s steeds were Xanthus, Æthon and noble Lampus; often would Andromache mix wine for them even before she attended to the wants of her husband, or offer them the sweet barley with her own white hands. Æthe is the name of Agamemnon’s graceful and fleet-footed mare. Xanthus and Balius, offspring of Podarges, are the horses which Achilles received from his father. He bids them bring their charioteer back in safety to the body of the Greeks—and then follows the impressive incident of the warning given to him of his impending fate. The horse Xanthus bends low his head: his long mane, which is collected in a ring, droops till it touches the ground. Hera gives him power of speech and he tells how, though the steeds of Achilles will do their part right well, not all their swiftness, not all their faithful service can save their master from the doom that even now is drawing near. “The furies restrain the voice”: the laws which govern the natural order of things must not be violated. “O Xanthus,” cries Achilles, “O Xanthus, why dost thou predict my death?... Well do I know myself that it is my fate to perish here, far away from my dear father and mother!” It is the passionate cry of the Greek, the lover of life as none has loved it, the lover of the sweet air gladdened by the sun.