seems at peace with the world and is being led back to his cage by a slave. Everything is quiet, orderly, and a model of good management. The custodian of the little museum told me that the (surprisingly few) visitors to Nennig were in the habit of remarking of this representation of the Roman Games that it made them understand for the first time how the cultivated Romans could endure such sights. Unhappily, conventional propriety joined to the sanction of authority will make the majority of mankind endure anything that causes no danger or inconvenience to themselves. Except with a few, at whom their generation looks askance, the sense of cruelty more than any other moral sense is governed by habit, by convention. It is even subject to latitude and longitude; in Spain I was surprised to find that almost all the English and American women whom I met had been to, at least, one bull-fight. Insensibility spreads like a pestilence; new or revived forms of cruelty should be stopped at once or no one can say how far they will reach or how difficult it will be to abolish them. One might have supposed that the sublime self-sacrifice of the monk who threw himself between two combatants—which brought the tardy end of gladiatorial exhibitions in Christian Rome—would have saved the world for ever from that particular barbarity; but in the fourteenth century we actually find gladiatorial shows come to life again and in full favour at Naples! This little-known fact is attested in Petrarch’s letters. Writing to Cardinal Colonna on December 1, 1343, the truly civilised poet denounces with burning indignation an “infernal spectacle” of which he had been the involuntary witness. His gay friends (there has been always a singular identity between fashion and barbarism) seem to have entrapped him into going to a place called Carbonaria, where he found the queen, the boy-king, and a large audience assembled in a sort of amphitheatre. Petrarch imagined that there was to be some splendid entertainment, but he had hardly got inside when a tall, handsome young man fell dead just below where he was standing, while the audience raised a shout of applause. He escaped from the place as fast as he could, horror-struck by the brutality of spectacle and spectators, and spurring his horse, he turned his back on the “accursed spot” with the determination to leave Naples as soon as possible. How can we wonder, he asks, that there are murders in the streets at night when in broad daylight, in the presence of the king, wretched parents see their sons stabbed and killed, and when it is considered dishonourable to be unwilling to present one’s throat to the knife just as if it were a struggle for fatherland or for the joys of Heaven?