The Place of Science in Modern Civilisation, and Other EssaysVeblen, Thorstein
Philosophy
The Place of Science in Modern Civilisation, and Other Essays
Veblen, Thorstein
Economics; Science
Along with the habits of thought peculiar to the technology of
handicraft, modern science also took over and assimilated much of the
institutional preconceptions of the era of handicraft and petty trade.
The "natural laws," with the formulation of which this early modern
science is occupied, are the rules governing natural "uniformities of
sequence"; and they punctiliously formulate the due procedure of any
given cause creatively working out the achievement of a given effect,
very much as the craft rules sagaciously specified the due routine for
turning out a staple article of merchantable goods. But these "natural
laws" of science are also felt to have something of that integrity and
prescriptive moral force that belongs to the principles of the system of
"natural rights" which the era of handicraft has contributed to the
institutional scheme of later times. The natural laws were not only held
to be true to fact, but they were also felt to be right and good. They
were looked upon as intrinsically meritorious and beneficent, and were
held to carry a sanction of their own. This habit of uncritically
imputing merit and equity to the "natural laws" of science continued in
force through much of the nineteenth century; very much as the habitual
acceptance of the principles of "natural rights" has held on by force of
tradition long after the exigencies of experience out of which these
"rights" sprang ceased to shape men's habits of life.[4] This
traditional attitude of submissive approval toward the "natural laws" of
science has not yet been wholly lost, even among the scientists of the
passing generation, many of whom have uncritically invested these "laws"
with a prescriptive rectitude and excellence; but so far, at least, has
this animus progressed toward disuse that it is now chiefly a matter for
expatiation in the pulpit, the accredited vent for the exudation of
effete matter from the cultural organism.
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