Though the explanation of ῥινοκολοῦρος given just now might very well at a pinch be regarded as satisfactory, still we think it hardly answers sufficiently well to the κατὰ τὸν αὐτὸν τρόπον (after the same fashion), while the variant ῥινοκλοῦρος seems to point to ῥιναύλουρος or ῥιναύλουρις as the true reading. In _Tatian_ (Orat. ad Graecos p. 83.) in fact we read: _ῥιναυλοῦσι_ τὰ αἰσχρά, κινοῦνται δὲ κινήσεις ἃς οὐκ ἐχρῆν, καὶ τοὺς ὄπως δεῖ μοιχεύειν ἐπὶ τῆς σκηνῆς σοφιστεύοντας αἱ θυγατέρες ὑμῶν καὶ οἱ παῖδες θεωροῦσι. (They flute their obscenities through the nose, and make movements that in decency they should not make, while actors who teach on the stage the whole art of how to debauch a woman are the spectacle your daughters and your boys gaze at.) The Scholiast observes on this ῥινοκτυποῦσιν, οἱονεὶ τὸ πνεῦμα τοῖς ῥώδωσι, συνέλκοντες ποιὸν ἦχον ἐπὶ καταγέλωτι ἀποτελοῦσι, (they make a noise with the nose, a sort of breathing with the nostrils; by drawing in these they produce a certain sound by way of mockery), and in _Lucian_, Lexiphanes ch. 19., we find ἔοικα δὲ καὶ ῥιναυστῆσειν, (and I am like to go nose-playing), of which the Scholiast gives the following explanation: ἀντὶ τοῦ ταῖς ῥισὶ καταυλῆσαι, ἐποίουν γὰρ τοῦτο _ῥιναυλοῦντες_, ἤτοι διὰ τῶν ῥινῶν ψοφοῦντες ἐπὶ διασυρμῷ τινῶν καὶ χλεύῃ. (put instead of _fluting with the nostrils_; for they used to do this when they nose-fluted, or in other words, made a noise with the nostrils by way of mocking people and joking). Now if we take ῥιναυλεῖν (to nose-flute) in these passages,—and all this confirms what has been previously said (above p. 144.) on the word ῥέγχειν (to snort) in the Speech of Dio Chrysostom,—for _fistulam canere per nares_, _to play the flute with the nose_, and at the same time remember that _Eustathius_ (as was noted above, p. 236. Note 2.) derived ἀπομύζουρις and μύζουρις from μυζᾶν-οὐράν (οὐρά,—the tail, the penis), the Greeks would seem to have said ῥιναυλεῖν-οὐράν, _penem pro fistula canere_, (to play on the penis instead of a flute), and we should have the adjective or substantive ῥιναύλουρις, _qui penem pro fistula canit per nares_, (one who plays on the penis instead of a flute with the nostrils), which admirably expresses not only the action of the _fellator_, but also the music he makes to accompany it, as he is compelled to snort, drawing his breath heavily through the nose.