Gimp Hines, who always acted as if he expected to get off the Earth,
too, had yielded his position inside the Archer to Tiflin, and had
hobbled close.
"The cost scares a guy who has to go to school, too, so he can pass the
tests," he said. "Well, don't worry, Frank. A thousand dollars buys a
lot of stellene for bubbs. And we can scratch up a few bucks of our own.
I can find a hundred, myself, saved from my TV repair work, and my
novelties business. Charlie, here, ought to be able to contribute a
thousand. Same for you, Hollins. That'll buy parts and materials for
some ionic motors, too."
"Oh, certainly, Gimp," Hollins growled.
But Charlie Reynolds grinned. "I can kick in that much, if I hold down a
while," he said. "Maybe more, later. What we've got to have, however, is
a loan. We can't expect a grant from the Board. Sure they want more
people helping to develop resources in space, but they're swamped with
requests. Let's not sweat, though. With a little time, I'll swing
something... Hey, everybody! Proposition! I move that whoever wants an
Archer put his name down for Frank. I further move that we have him
order us a supply of stellene, and basic materials for at least three
more ionic motors. I also suggest that everybody donate as much cash as
he can, no matter how little, and as much time as possible for making
equipment. With luck, and if we get our applications for space-fitness
tests mailed to Minneapolis within a week, at least some of us should
get off Earth by next June. Now, shall we sign for the whole deal?"
Art Kuzak hunched his shoulders and displayed white teeth happily. "I'm
a pushover," he said. "Here I come. I like to see things roll."
"Likewise," said his brother, Joe. Their signatures were both small, in
contrast to their size.
Ramos, fully clad in the Archer, clowned his way forward to write his
name with great flourishes, his ball point clutched in a space glove.
Tiflin made a fierce, nervous scrawl.
Mitch Storey wrote patiently, in big, square letters.
Gimp chewed his lip, and signed, "Walter Hines," in a beautiful, austere
script, with a touch as fine as a master scientist's. "I'll go along as
far as they let me," he muttered.
"I think it will be the same--in my case," David Lester stammered. He
shook so much that his signature was only a quavering line.
"For laughs," Eileen Sands said, and wrote daintily.
Two-and-Two Baines gulped, sighed, and made a jagged scribble, like the
trail of a rocket gone nuts.
Jig Hollins wrote in swooping, arrogant circles, that came, perhaps,
from his extra jobs as an advertising sky writer with an airplane.
Frank Nelsen was next, and Charlie Reynolds was last. Theirs were the
most indistinctive signatures in the lot. Just ordinary writing.
"So here we all are, on a piece of paper--pledged to victory or death,"
Reynolds laughed. "Anyhow, we're out of a rut."
Public-domain text, read in full here on John Shaqi.
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