Gold is not rare at the cores of the worlds, to which most of the heavy
elements must inevitably sink, during the molten stage of planetary
developments. On Earth it must be the same, though who could dig three
thousand miles into a zone of such heat and pressure? But the asteroid
world had exploded. Pallas was an exposed and cooled piece of its heart.
Pallas had a day of twenty-four hours because men, working with great
ion jets angling toward the stars, had adjusted its natural rate of
rotation for their own convenience to match the terrestrial. A greater
change was Pallastown.
Frank Nelsen and Miguel Ramos made the considerable journey to it
without further incident. Because he was tense with hurry, Nelsen's
impressions were superficial: Something like Serene, but bigger and more
fantastic. A man weighed only a few ounces, here. Spidery guidance
towers could loom impossibly high. There were great storage bins for raw
metal brought in from all over the Belt. There were rows of water tanks.
As on the Moon, the water came mostly from gypsum rock or occasionally
from soil frost, both found on nearby crustal asteroids. Beyond the
refineries bulged the domes of the city itself, housing factories,
gardens, recreation centers, and sections that got considerably lost and
divergent trying to imitate the apartment house areas of Earth.
Frank Nelsen's wonder was hurried and dulled.
Gimp Hines and David Lester were waiting inside the stellene reception
dome when Nelsen and Ramos landed lightly at the port on their own feet,
with no more braking assistance than their own shoulder-ionics.
Greetings were curiously breathless yet casual, but without any
backslapping.
"We'd about given you two up," Gimp said. "But an hour ago Joe Kuzak
beamed me, and said you'd be along with some museum stuff... Les lives
here, now, working with the new Archeological Institute."
"Hi-hi--good to see you guys," Ramos said.
"Likewise. Hello, Les," Frank put in.
While Frank was gripping David Lester's limp, diffident hand, which
seemed almost to apologize for his having come so far from home, Gimp
teased a little. "So you latched onto Art Kuzak, too. Or was it the
other way around?"
Frank's smile was lopsided. "I didn't analyze motives. Art's a pretty
good guy. I suppose we just wanted to help Joe and him out. Or maybe it
was instinct. Anyhow, what's wrong with latching onto--or being latched
onto by--somebody whom you feel will get himself and you ahead, and make
you both a buck?"
"Check. Not a darn thing," Gimp laughed. "Now let's go to my hotel and
have a look at what you brought in. Did you really examine it, yet?"
"Some--on the way. Not very much," Ramos said. "There's a camera."
In the privacy of Gimp's quarters, the bundles were opened; the
contents, some of them dried and gruesome, all of them rather wonderful,
were exposed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account