David Lester and Gimp Hines were both quietly avid. Lester knew the most
about these things, but Gimp's hands, on the strange camera, were more
skillful. The cautious scrutiny of dials and controls marked with
cryptic numerals and symbols, and the probing of detail parts and their
functions, took about an hour.
"What do you think, Les?" Gimp asked.
"I'm not an expert, yet," Lester answered. "But as far as I know, this
is the first undamaged camera that has yet been found. That makes it
unique. Of course by now, hoppers are bringing in quite a lot of
artifacts from surface-asteroids. But there's not much in the way of new
principle for our camera manufacturers to buy. Lens systems, shutters,
shock mountings, self-developing, integral viewing, projecting and sonic
features, all turn out to be similar to ours. It's usually that way with
other devices, too. It's as if all their history, and ours, were
parallel."
"Well, dammit--let's see what the thing can show!" Ramos gruffed.
In the darkened room, the device threw a rectangle of light on the wall.
Then there was shape, motion, and color, kept crystallized from sixty
million years before. A cloud, pinked by sunrise, floating high in a
thin, expanded atmosphere. Did clouds everywhere in the universe always
look much the same? Wolfish, glinting darts, vanishing away. Then a
mountainside covered with spiny growths that, from a distance, seemed
half cactus and half pine. A road, a field, a dull-hued cylinder
pointing upward. Shapes of soft, bluish grey, topped like rounded roofs,
unfolding out of a chink, and swaying off in a kind of run--with little
clinkings of equipment, for there were sounds, too. Two eyelike organs
projecting upward, the pupils clear and watchful. A tendril with a
ridged, dark hide, waving what might have been a large, blue flower,
which was attached to the end of a metal tube by means of a bit of fibre
tied in a granny knot. A sunburst of white fire in the distance...
It could have gone on, perhaps for many hours. Reality, with every
detail sharp. Parallels with Earthly life. Maybe even sentiment was
there, if you only knew how it was shown. But in the differences you got
lost, as if in a vivid dream that you couldn't fully understand. Though
what was pictured here was certainly from the last beautiful days of a
competing planet.
Frank Nelsen's mouth often hung open with fascination. But his own
realities kept intruding. They prodded him.
"I hate to break this off," he said. "But a lot of asteroid-hoppers are
out at the post, waiting for Ramos and me to bring stuff back. It's a
long ride through a troubled region. There's plenty to get arranged
beforehand... So first, what do we do to realize some quick funds out of
these relics?"
Public-domain text, read in full here on John Shaqi.
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