I have now gone through something of the history, poetry, and botany of the Daisy, but there are still some few points which I could not well range under either of these three heads, yet which must not be passed over. In painting, the Daisy was a favourite with the early Italian and Flemish painters, its bright star coming in very effectively in their foregrounds. Some of you will recollect that it is largely used in the foreground of Van Eyck's grand picture of the "Adoration of the Lamb," now at St. Bavon's, in Ghent. In sculpture it was not so much used, its small size making it unfit for that purpose. Yet you will sometimes see it, both in the stone and wood carvings of our old churches. In heraldry it is not unknown. When Philip the Bold, Duke of Burgundy, was about to marry Margaret of Flanders, he instituted an order of Daisies; and in Chifflet's Lilium Francicum (1658) is a plate of his arms, France and Flanders quarterly surrounded by a collar of Daisies. A family named Daisy bear three Daisies on their coat of arms. In an old picture of Chaucer, a Daisy takes the place in the corner usually allotted to the coat of arms in mediæval paintings. It was assumed as an heraldic cognizance by St. Louis of France in honour of his wife Margaret; by the good Margaret of Valois, Queen of Navarre; by Margaret of Anjou, the unfortunate wife of our Henry VI.; while our Margaret, Countess of Richmond, mother of our Henry VII., and dear to Oxford and Cambridge as the foundress of the Margaret Professorships, and of Christ College in Cambridge, bore three Daisies on a green turf. To entomologists the Daisy is interesting as an attractive flower to insects; for "it is visited by nine hymenoptera, thirteen diptera, three coleoptera, and two lepidoptera--namely, the least meadow-brown and the common blue butterflies."[377:1]