United States -- Social life and customs -- 20th century -- Fiction
"Wimmen! Wimmen!" As the girls walked down the aisle, infinitely pleased
with their reception, five hundred men stamped in time with their
steps.
No sooner were the girls seated than there was a scramble in one corner,
an excited scuffling of feet. "I've got it!" a boy screamed. He stood on
his chair and held up a live mouse by its tail. There was a shout of
applause and then--"Play catch!"
The boy dropped the writhing mouse into a peanut bag, screwed the open
end tight-closed, and then threw the bag far across the room. Another
boy caught it and threw it, this time over the girls' heads. They
screamed and jumped upon their chairs, holding their skirts, and dancing
up and down in assumed terror. Back over their heads, back and over,
again and again the bagged mouse was thrown while the girls screamed and
the boys roared with delight. Suddenly one of the girls threw up her
arm, caught the bag deftly, held it for a second, and then tossed it
into the rear of the theater.
Cheers of terrifying violence broke loose: "Ray! Ray! Atta girl! Hot
dog! Ray, ray!" And then the lights went out.
"Moosick! Moosick! Moo-_sick_!" The audience stamped and roared,
whistled and howled. "Moosick! We want moosick!"
The pianist, an undergraduate, calmly strolled down the aisle.
"Get a move on!"... "Earn your salary!"... "Give us moosick!"
The pianist paused to thumb his nose casually at the entire audience,
and then amid shouts and hisses sat down at the piano and began to play
"Love Nest."
Immediately the boys began to whistle, and as the comedy was utterly
stupid, they relieved their boredom by whistling the various tunes that
the pianist played until the miserable film flickered out.
Then the "feature" and the fun began. During the stretches of pure
narrative, the boys whistled, but when there was any real action they
talked. The picture was a melodrama of "love and hate," as the
advertisement said.
The boys told the actors what to do; they revealed to them the secrets
of the plot. "She's hiding behind the door, Harold. No, no! Not that
way. Hey, dumbbell--behind the door."... "Catch him, Gloria; he's only
shy!"... "No, that's not him!"
The climactic fight brought shouts of encouragement--to the villain.
"Kill him!"... "Shoot one to his kidneys!"... "Ahhhhh," as the villain
hit the hero in the stomach.... "Muss his hair. Attaboy!"... "Kill the
skunk!" And finally groans of despair when the hero won his inevitable
victory.
Public-domain text, read in full here on John Shaqi.
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