Both forms of attention are of real importance in the world of play,
but we will note only those cases in which the effort of attending is
itself the subject of playful exercise. Sikorski has asserted forcibly
that children frequently make use in their play of the expectation of
a familiar impression whose memory picture is already present in the
mind; what Lewes calls “preperception,” and Sikorski “reproduction
préparatoire.” He says: “It is very interesting to notice how children
use attention in their play. It is one of the most salient features
of all the mental operations of children in all their busyness and
destructiveness. It may be called a sort of mental auxiliary which
gives variety to play.”[316] He goes on to instance Preyer’s son, who
opened and closed the cover of a can seventy-nine times in succession,
and evinced the closest attention all the while.[317] The expectation
of a resulting sound is no doubt an essential part of such play as
this. Alternate stress and relaxation of attention account for the
charm of hide and seek. Darwin says that his son on the one hundred
and tenth day was delighted when a handkerchief was put over his face
or his playfellow’s and then suddenly withdrawn.[318] While surprise
was probably the principal cause of this delight at first, on its
repetition expectation and the sudden revelation must play a part.
When a child throws stones in water or at a mark, batters an old pot,
awaits the tossed-up ball or watches a rolling one, we must reckon with
the pleasure which is derived from the exercise of close attention,
as well as that in movement as such, and in this kind of play the
comparison of memory pictures with present reality. “In all such play,”
says Sikorski, after instancing several examples, “a particular result
is expected and awaited as something desirable. The sound of the stone
striking the water, the direction taken by the soap bubble the moment
it is tossed off,[319] all such consequences are pictured in advance,
and the essence of the enjoyment consists in the coincidence of reality
with the mental image.”[320]
Public-domain text, read in full here on John Shaqi.
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