At this point we may again take up the process of recollection which
is attended with some difficulty. The progressive power of rhythmical
repetition, especially when musical or poetic, to whose chains we are
such willing captives, is nothing else than attention fixed on what is
to come. Still stronger is the tense expectation aroused by artistic
productions which require time for their presentation. In the drama
and recitation especially must we ascribe value to continuity, for
here true art consists not so much in taking the hearer or reader by
surprise—indeed, this is an insignificant element—as in contriving
to make him suspect the coming situation and await it with intense
concentration. On this depends not only the effectiveness of tragedy
(O. Harnack has compared Ibsen’s Ghosts in this respect with the
antique Œdipus), but in large measure that of all narrative poetry.
“The poor satisfaction of a surprise!” exclaims Lessing. “I am far
from thinking that the enjoyment we get from the work of a great
artist is due to concealment of the denouement. I believe, moreover,
that it would not transcend my powers to create a work in which the
climax shall be revealed in the first scene, and from that very
circumstance derive its strongest interest.” Finally, we must notice
the interesting phenomena of attention in its connection with gambling,
for the tremendous effects of which many diverse causes must conspire.
Ribot says of it, “C’est la complexité qui produit l’intensité.”[321]
The tension of interest in gaming depends on the two possibilities,
winning and losing. It must be one thing or the other, and this fact
differentiates it from our previous examples. Hope of winning usually
looms large in the foreground, the possibility of losing assuming
more the character of an auxiliary, adding intensity to the process.
“Gambling,” says Lazarus justly, “has ruined many, enriched few, yet
every player expects to be of the minority.”[322] As games of chance
will come up for more exhaustive treatment later, I merely mention here
that the effort of attention is one ground of their strong effect.
Public-domain text, read in full here on John Shaqi.
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