from it, and in this process of repetition depression assumes more and
more the character of play.
C. EXPERIMENTATION WITH THE WILL
Since our inquiry in this closing section is not as to the general use
of the will in play, but rather into playful experimentation with the
will itself, we must direct our attention to the control of movement.
Play requires that those movements which depend on both inherited and
acquired brain paths shall be under voluntary control. The pleasure
accompanying this control is founded on the feeling of freedom and of
mastery over self; and it is to be specially noted that almost all the
related phenomena take the form of contests and appeal to the fighting
instincts. The majority of cases require the suppression of emotional
expression or of such reflexes as are connected with them. Thus, for
example, winking is not an expression of emotion in the ordinary sense,
and yet when it follows closely on the sudden presentation of some
object before the eyes it seems to indicate that the person is startled
or even terrified. Children often play with this refractory reflex, one
moving his hand rapidly before the eyes of another, who makes desperate
efforts to keep them open, and a forfeit game is played as follows: Two
persons sit or stand opposite one another; one moves his hand close to
the other’s eyes while the following colloquy takes place: “Are you
going in the woods?” “Yes.” “Going to take some bread with you?” “Yes.”
“And you want some salt on it?” “Yes.” “Are you afraid of the wolf?” If
he holds his eyes open all the time he is not afraid, but if he winks
he must pay a forfeit.[355] The attempt is often made, too, to resist
the impulse to laugh while two persons gaze into each other’s eyes.
Indeed, such games are too numerous to mention. The effort to repress
the expression of pain is still more interesting. Self-control during
the suffering of physical pain is everywhere regarded as a proof of
manliness, and is earnestly cultivated by savages as by our own boys.
The quiet submission to painful tattooing, the endurance displayed by
Indian children often in gruesome ways, the effort of our schoolboys to
bear corporal punishment unflinchingly, the self-control of students
who joke while their wounds are being sewed, and—to carry the struggle
against self-betrayal into the field of mental suffering as well—the
apparent indifference of gamblers to the reverses of fortune; while
all of these can by no means be called playful, still the cases are
sufficiently numerous in which there is actual playful experimentation
with the powers of endurance. For example, Rochholz describes this
test: Two persons strike the knuckles of the doubled-up fists together,
and measure their will power by the length of time that they can
endure the pain. Another is to strike the first and middle fingers
against those of the other person. A friend of mine told me that as a
boy (probably after reading some Indian tales) he once wagered with
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