Thus we know that a child has the impulse to make use of his motor
apparatus, but this impulse is strengthened when another person makes
a movement which attracts the child’s attention. The concept as such
produces a mild inclination and the natural impulse to move weighs
down the scale. The little girl inherits an instinct for nursing;
alone, it would probably not be strong enough to originate nursing
play, and quite as little would the idea of the movements involved
which the child acquires from watching her mother have that result
(as witness, the boy). The two together produce the familiar result.
In the same way the boy’s fighting instinct impels him to imitate all
warlike demonstrations. We may say that the “what” of the subject is
answered by the movement idea and the “that” predominantly by the
corresponding instinct, though acquired necessity of course may
do the same thing. Moreover, imitation has a special affinity for
curiosity and the fighting instinct. The former asks concerning an
unusual movement by another, “How does he do it?” and an effort to
experiment at once ensues, while the fighting instinct is on the alert
at the perception of a difficulty, and loses no time in overcoming it
in order to enjoy the “I can, too,” of success. This success may be a
triumph over the model, since if no superiority is proved we arrogate
to ourselves a capacity which up to this time has been the property
of another.[539] It may, however, be mere pleasure in overcoming the
difficulty, as when we try to imitate qualities which we admire in
another, adding to the combative impulse the desire to make one’s self
agreeable or to subordinate others. But so far as conscious playful
imitation is directly concerned, the struggle with difficulties is
still in the foreground. We must remember, too, that with many of the
higher kinds of imitation—pre-eminently so with that which may be
called constructive, since its material is invariably appropriated from
foreign sources—the pleasure which is derived from recognition and from
illusion adds to its play the powerful charm of imagination.
Public-domain text, read in full here on John Shaqi.
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