_tespi_, whose original use is devotional, employed for the same
purpose; indeed, Levantines, who are not Mohammedans, often regard
these latter as special instruments of gaming and vice.[21]
Carrying a walking-stick is another playful satisfaction in which the
hand’s sensation of contact has a part, while the lead pencil, small
as it is, will sometimes satisfy the demand for “something in the
hand.” This is a genuine craving, which betrays itself in all sorts
of awkward movements if we try to deny its indulgence. Carrying a
cane is a remarkably widespread custom, and some think that the very
small stone hatchets so common in ethnological museums as relics of
a prehistoric time were used as cane handles in the stone age. Joest
says, in the article cited above, that walking-sticks are used in
millions of forms, on every continent and island of our earth. The
naked Kaffir uses a slender, fragile cane of unusual length, and,
according to P. Reichard,[22] his ideal of peace and prosperity is
embodied in “going to walk with a cane,” since this implies freedom
from the necessity of bearing arms. I close this digression with an
instance which borders on the pathological. Sheridan was waiting for
the celebrated Samuel Johnson, well known to be eccentric, to dine with
him, and saw the doctor approaching from a distance, “walking along
with a peculiar solemnity of deportment and an awkward sort of measured
step. At that time the broad flagging at each side of the streets was
not universally adopted, and stone posts were in use to prevent the
annoying of carriages. Upon every post, as he passed along, I could
observe he deliberately laid his hand, but, missing one of them, when
he had got at some distance he seemed suddenly to recollect himself,
and, immediately returning back, carefully performed the accustomed
ceremony and resumed his former course, not omitting one till he gained
the crossing. This, Mr. Sheridan assured me, however odd it might
appear, was his constant practice.”[23]
Public-domain text, read in full here on John Shaqi.
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