[Illustration: Philip Massinger] _London, Published by John Murray. 1830._ THE PLAYS OF PHILIP MASSINGER. ADAPTED FOR FAMILY READING, AND THE USE OF YOUNG PERSONS, BY THE OMISSION OF OBJECTIONABLE PASSAGES. VOL. I. LONDON: JOHN MURRAY, ALBEMARLE-STREET. MDCCCXXX. LONDON: PRINTED BY THOMAS DAVISON, WHITEFRIARS. ADVERTISEMENT. The Old English Dramatists, the friends and co-temporaries of Shakspeare, have contributed one of the most valuable portions to the poetic literature of our country. But--abounding as they do in wit and fancy, in force and copiousness of expression, in truth and variety of character, in rapid change of incidents, in striking and interesting situations, and, above all, in justice and elevation of sentiment--their works are totally unknown to the generality of readers, and are only found in the hands of an adventurous few, who have deviated from the beaten paths of study to explore for themselves less familiar and exhausted tracts of literary amusement. The neglect of these authors, in an age so favourable to works of imagination as the present, can only be ascribed to that occasional coarseness of language which intermixes with and pollutes the beauty of their most exquisite scenes. For what may be termed the licentiousness of the stage, for immorality of principle, for that offence which was transplanted from France to England with the court of Charles the Second, our old dramatists do not require the aid of any apologist. They are innocent of attempting to confound the notions of right and wrong, or of seeking to influence the bad passions of our nature against the first great principles of morals. These were the corruptions of a later and more vicious age. With the earlier play-writers, the bent of the story and the interest of the spectator are always directed to the side of virtue; but the objection against them is, that though they armed themselves in her cause, they were too little scrupulous what kind of weapon they employed. The worst things are always called by the worst names. Nothing is sacrificed to delicacy. The grossest subjects are treated, whenever they happen to occur--and no care is taken to avoid them--in the grossest terms. Vice loses none of her enormity by any diminution of her coarseness. If the wicked are introduced, they are painted with a perfect truth of nature; they are represented as loathsome in language as they are detestable in conduct; and are rendered as offensive to the reader of cultivated taste and virtuous habits as they would be in the actual intercourse of life. However well it may have suited the less polished age of Elizabeth and James thus to inculcate purity by exhibiting all the corruptions of the depraved, and to fortify the moral principle by portraying wickedness, with all its hateful accompaniments, as an object of disgust as well as abhorrence and contempt, such strong pictures are no longer tolerable at the present