Art objects -- Collectors and collecting; Collectors and collecting
The method of classification of English drinking-glasses takes into
consideration the types of the feet, the types of the bowls, and the
types of the stems. There is the plain-footed glass, the glass with the
folded foot (so called because the outer circle of the foot is folded
back beneath it to strengthen it), the domed foot (shaped as its name
suggests), and the domed-and-folded foot glass (a combination of dome
and fold). The folded foot is a type which indicates early origin, just
as those glasses which have the foot broader than the bowl indicate
their origin to have been prior to the first quarter of the nineteenth
century.
As to types of bowls, there are the drawn bowl (bowl and stem drawn from
a single piece of glass, as in the glasses of the seventeenth century);
the bell-shaped bowl, the waist-formed bell bowl, the waisted bowl, the
ovoid bowl, the straight-sided bowl, the straight-sided rectangular
bowl, the ogee bowl, the lipped ogee bowl and the double ogee form. The
waist-formed bell-shaped (waisted-bell) bowl is rarely met with--the
early eighteenth century marks its decline--and the waisted bowl is
uncommon also. The bell-shaped bowls seem longest to have maintained
favor. The Bristol Glass Works originated the ogee bowl shapes, which
date from the middle of the eighteenth century.
As to the types of stems, the earliest in design is the baluster stem,
in use as early as 1680, and popular till 1730; the plain stem, most
frequently met with in glasses from 1700 to 1750; the air-twist stem, in
vogue from 1725 to 1775, and perhaps later; the opaque white twist stem,
dating from 1745 till the end of the century; the air and opaque white
twist stem, the color twist stem, and the cut stem, dating from about
the middle of the eighteenth century. Air-bubbles imprisoned in the
stems of glasses have given to this type of glass the name of
“tear-glass.” Almost without exception the “tears” have their points
downward, although glasses showing the reverse of this have in rare
instances been met with.
The air-twist stems are an evolution of the tears. The glass containing
air-bubbles came to be heated and drawn out and ingeniously manipulated
in such a way as to produce the effect of twisted filaments which formed
such patterns within the glass as one now and then chances to find.
Before manipulation the bubbles were produced artificially by pricking
into the glass, softened by heat and covered over, in turn, with a film
of molten glass.
The opaque white twist stem, and also the color twist stem, were
obtained after the Venetian fashion of making Millefiori glass,
described in Chapter XXVII (page 221), as derived from the Roman glass
of antiquity. Rare specimens of stems are found with delicate tints of
blue and red among the filaments.
Public-domain text, read in full here on John Shaqi.
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