Most noted of literary tributes to the table is that of Brillat-Savarin, who has discoursed on gastronomy with all the knowledge and discursiveness, with all the verve and raciness displayed by Ninon de l'Enclos in descanting on love in her letters to the Marquis de Sévigné. He is at once the corypheus of good cheer and its most refined exponent. Few subjects are as difficult to treat without grossness as those relating to the gratification of the appetite, the pleasures of eating and drinking, which he has handled with such felicitous skill. Accompanying him along his alluring ambages, whose aisles are redolent of truffles and vol-au-vents in lieu of balsams and flowers, all other arts appear secondary to that of gastronomy; for through it alone, it becomes obviously manifest, may its sister arts receive their proper inspiration and man attain that hygienic beatitude which is essential to the greatest creative genius. Whether he was as accomplished in reality as he appears upon the printed page, whether his practice was equal to his theory,--a question some of his contemporaries have disputed,--is of trivial moment in view of the abiding attractiveness of the "Physiologie du Goût." In his essay the distinction of a gourmand and a gourmet was first distinctly set forth, and throughout its length and breadth the topic is discussed with the dexterity that the author would observe in the preparation of his favourite _fondue_. Rarely has a subject found a writer whose qualities so eminently fitted him for its elaboration. With a touch light as gossamer, he has run the entire gamut of taste, investing his theme with new and subtle harmonies. The pheasant and the turkey have gained in savour since he has passed them under review, and the truffle derived an added flavour through the sixth Meditation. In viewing the portrait of Savarin, we see before us a man of imposing presence, full-faced and florid, large, massive, robust, with bright eyes, rounded chin, and sensuous mouth. The high, broad forehead and protuberances above the eyebrows denote the reasoning and imaginative mind, while the full nostrils and lips point to a highly developed physical organism--to one who might be a lawyer, physician, banker, or diplomat, but whose features in any event proclaim the genial companion, the ready raconteur, and one upon whom the pleasures of the senses exercise an important influence. It was this nice adjustment of the mental and physical, this happy balance of mind and being, that combined to produce a work which may justly be classed among the most original of the nineteenth century.