The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-givingEllwanger, George H. (George Herman)
History
The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-giving
Ellwanger, George H. (George Herman)
Gastronomy
That French cookery, or, to speak more correctly, Parisian cookery,
has deteriorated of recent years there would seem to be abundant
evidence. Or is it that such retrogression is owing to the advances in
other countries, and that the Parisian cuisine suffers more from such
comparison than from any real falling off in merit? Certain it is that
the alien who is capable of judging will charge it with having become
too rich and highly spiced, if not too careless. There are those who
go so far as to say that its future will lie chiefly in the speech of
the menu, that none of the strange spellings of "rosbif" will change
the nature of the viand, the same remark applying to the cut which is
called a "biftek" everywhere save in the land of its origin and in the
United States. The fact is that the French, in many arts, unjustly
claim a taste so superlative as to be unattainable by other nations,
and that French cookery has been tacitly accepted as unparalleled on
the same principle that a titled personage is supposed to possess
superior accomplishments. Yet French must necessarily remain for all
time the classic language of the bill of fare.
Still, the preparation of food continues to be better understood by
the average practitioner in France than in any other country. For, as
in angling it is "not so much the fly as the hand directing it that
secures the trout," so in cookery it is less the recipe than the fine
perceptivity of the artist that achieves the perfect dish. So far as
America is concerned, it is less the want of capable chefs than the
scarcity of good female cooks that is to be deplored. A competent
cuisinière is becoming more and more uncommon, and by the average
servant cooking is too often considered a mere function to be performed
with as little trouble and as much despatch as possible. Besides the
lack of proper training, crass ignorance is too frequently a factor
which the housewife has to contend with in those who profess to have a
perfect understanding of the art of the kitchen.
A new cook had come, and there were to be smelts with a tartare sauce
to follow the soup.
"Can you make a good tartare sauce?" asked the mistress; "if not, I can
show you."
"Oh, yes; I've often made one."
In due time the fish, shorn of heads and tails and flanked by a very
yellow sauce with a strange taste, made their appearance, and were
promptly returned to the kitchen.
"Surely, you don't call this a tartare sauce, which is always cold.
Besides, where are the chopped pickle, the onion, the capers, the
parsley? And what gives it such a queer taste?"
"But this is a hot tartar sauce, mum; I asked for the 'tartar,' and the
maid gave it to me; I supposed you wanted a cream-of-tartar sauce."
Public-domain text, read in full here on John Shaqi.
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